Sargent, John Singer (1856-1925) The Bridge of Sighs c.1903–1904 Watercolor on paper, 25.4 x 35.6 cm Brooklyn Museum, New York Sargent used multiple techniques to create light and highlights in this work. The most obvious is the application of white impasto…
Boudin, Eugène (1824-1898) Le Havre, Le Port (Le Havre, The Port) 1884 Oil on panel, 32.4 x 41.1 cm Brooklyn Museum, New York For Boudin, the sky—with its constant cloud motion and ever-changing light—proved a powerful source of inspiration throughout his…
Monet, Claude (1840-1926) Marée montante à Pourville (Rising Tide at Pourville) 1882 Oil on canvas, 66 x 81.3 cm Brooklyn Museum, New York Inspired in part by Gustave Courbet’s marines of the 1860s, Claude Monet here conveys the choppy, windswept sea…
Turner, Joseph Mallord William (1775-1851) Venice from the Giudecca 1840 Oil on canvas, 61 x 91.4 cm Victoria and Albert Museum, London See also: • Venezia (Italia)
Boudin, Eugène (1824-1898) Bordeaux, le port (Bordeaux, the Harbor) 1874 Oil on canvas, 30.3 x 46.3 cm Walters Art Museum, Baltimore Compare: Boudin, Eugène (1824-1898) Vue de Bordeaux 1874 Cleveland Museum of Art, Cleveland See also: • Bordeaux (France)
Morisot, Berthe (1841-1895) L’Avant d’un Yacht (The Front of a Yacht) 1875 Watercolor on paper, 20.7 x 26.8 cm Clark Art Institute, Williamstown
Monet, Claude (1840-1926) Marine, Orage (Seascape, Storm) 1866 Oil on canvas, 48.7 x 64.6 cm Clark Art Institute, Williamstown
Monet, Claude (1840-1926) Les Falaises à Étretat (The Cliffs at Étretat) 1885 Oil on canvas, 65.1 x 81.3 cm Clark Art Institute, Williamstown See also: • Étretat (France)
Courbet, Gustave (1819-1877) Le voilier, paysage marin (The Sailboat, Seascape) c.1869 Oil on canvas, 53.3 x 64.3 cm Clark Art Institute, Williamstown
Turner, Joseph Mallord William (1775-1851) Rockets and Blue Lights (Close at Hand) to Warn Steamboats of Shoal Water 1840 Oil on canvas, 92.1 x 122.2 cm Clark Art Institute, Williamstown