Pueyrredón, Prilidiano (1823-1870) Paisaje con barcos (Landscape with boats) 1862 Watercolor on paper, 17 x 16 cm Museo Nacional de Bellas Artes, Buenos Aires This small watercolour depicts an open view of the Río de la Plata, with the dominant ochre…
Pueyrredón, Prilidiano (1823-1870) Paisaje de la costa con veleros (Coast landscape with sailboats) s.d. Watercolor on paper, 14 x 29 cm Museo Nacional de Bellas Artes, Buenos Aires
Courbet, Gustave (1819-1877) Marine 1870 Oil on canvas, 66.4 x 82.9 cm Museo Nacional de Bellas Artes, Buenos Aires
Boudin, Eugène (1824-1898) L’Escaut par temps orageux (The Scheldt in stormy weather) c.1871–1874 Oil on canvas, 43 x 56,5 cm Museo Nacional de Bellas Artes, Buenos Aires
Boudin, Eugène (1824-1898) Camaret, marée basse dans la rade (Camaret, low tide in the harbor) c.1871–1873 Oil on canvas, 45 x 66 cm Museo Nacional de Bellas Artes, Buenos Aires See also: • Camaret-sur-Mer (France)
Tintoretto, Jacopo (1518-1594) Doge Alvise Mocenigo presentato al Redentore (Doge Alvise Mocenigo Presented to the Redeemer) probably 1577 Oil on canvas, 97.2 x 198.1 cm Metropolitan Museum of Art, New York This unfinished sketch records one stage of Tintoretto’s preparation…
Turner, Joseph Mallord William (1775-1851) Keelmen Heaving in Coals by Moonlight 1835 Oil on canvas, 92.3 x 122.8 cm National Gallery of Art, Washington Joseph Mallord William Turner excelled at capturing the beauty and mysteries of light. Cool, white moonlight…
Turner, Joseph Mallord William (1775-1851) Venice: The Dogana and San Giorgio Maggiore 1834 Oil on canvas, 91.5 x 122 cm National Gallery of Art, Washington We look across a glittering waterway lined with long, low boats and sailboats at an…
Turner, Joseph Mallord William (1775-1851) The Dogana and Santa Maria della Salute, Venice 1843 Oil on canvas, 62 x 93 cm National Gallery of Art, Washington Through a golden haze and across an expanse of gently rippling water dotted with…
Turner, Joseph Mallord William (1775-1851) Approach to Venice 1844 Oil on canvas, 62 x 94 cm National Gallery of Art, Washington When Approach to Venice was first exhibited in 1844, Joseph Mallord William Turner quoted Lord Byron in the catalog…