Poussin, Nicolas (1594-1665) La Destruction du temple de Jérusalem (The destruction of the Temple at Jerusalem) 1635 Oil on canvas, 147 × 198 cm Kunsthistorisches Museum, Vienna The material is taken from Flavius Josephus’ Jewish War. Titus, the son of the…
Alma-Tadema, Lawrence (1836-1912) The Egyptian Widow 1872 Oil on panel, 74.9 × 99.1 cm Rijksmuseum, Amsterdam The Frisian artist Alma-Tadema was a great success in England, where he was even knighted. His representations of ancient Egyptian, Greek and Roman scenes made…
Alma-Tadema, Lawrence (1836-1912) The Death of the Pharaoh’s Firstborn Son 1872 Oil on canvas, 77 × 124 cm Rijksmuseum, Amsterdam In this scene from the biblical book of Exodus, Moses and Aaron (upper right) visit the pharaoh, who is mourning his…
Carracci, Annibale (1560-1609) Pietà c.1603 Oil on copper, 41.3 x 60.7 cm Kunsthistorisches Museum, Vienna Overwhelmed by her helplessness and pain, Mary holds her dead son in her lap. Pale colours and the pathos of marbles by Michelangelo and from antiquity…
Ribera, Jusepe de (1591-1652) San Sebastiano curato da Sant’Irene (St Sebastian Cured by St Irene) 1628 Oil on canvas, 156.5 x 188 cm Hermitage Museum, Saint Petersburg Jusepe de Ribera lived the greater part of his life in Naples, which at…
Mantegna, Andrea (c.1431-1506) Deposizione di Cristo nel sepolcro (The Entombment of Christ) c.1480 Partially gilded bronze, silver, 24.4 cm × 44.9 cm × 2 cm Kunsthistorisches Museum, Vienna Attributed to Andrea Mantegna (c.1431-1506). This extraordinary work combines the qualities of painting…
Poussin, Nicolas (1594-1665) La Déposition de la croix (The Descent from the Cross) 1627–1628 Oil on canvas, 120 x 98 cm Hermitage Museum, Saint Petersburg Nicolas Poussin was the leading exponent of the French Classicism of the first half of the…
Campin, Robert (c.1378-1444) God the Father enthroned, supporting the dead body of Christ 1430s Oil on wood panel, 34.3 x 24.5 cm Hermitage Museum, Saint Petersburg This is the left wing of the Trinity Diptych (1430s). This panel forms a pair…
Boccioni, Umberto (1882-1916) Dinamismo di un corpo umano: pugile (Dynamism of the Human Body: Boxer) 1913 Ink on paper, 29 x 25 cm Museo Thyssen-Bornemisza, Madrid Just as Fortunato Depero developed a special interest in puppets and automata, at the beginning…
Parmigianino (1503-1540) La sepoltura (The Entombment) 1529–1530 Etching, 27.1 x 20.4 cm Cleveland Museum of Art, Cleveland One of the most important Mannerist painters, Parmigianino was the first artist to exploit the fluid, expressive potential of etching. The graphic vocabulary of…
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