Duccio di Buoninsegna (c.1255-c.1319) Madonna col Bambino, San Domenico e Sant’Aurea, Patriarchi e Profeti (The Virgin and Child with Saint Dominic and Saint Aurea, and Patriarchs and Prophets) c.1312–1315 Egg tempera on wood, 61.4 x 39.3 cm National Gallery, London Duccio was…
Duccio di Buoninsegna (c.1255-c.1319) Annunciazione (The Annunciation) c.1307–1311 Egg tempera on wood, 44.5 × 45.8 cm National Gallery, London This panel was the first in a series of scenes of the infancy of Christ on the front of the predella (lowest part)…
Raffaello (1483-1520) Madonna Ansidei (Ansidei Madonna: The Virgin and Child with Saint John the Baptist and Saint Nicholas of Bari) 1505 Oil on poplar, 216.8 × 147.6 cm National Gallery, London This is the main panel of the Ansidei Altarpiece that the…
Botticini, Francesco (1446-1498) L’Assunzione della Vergine (The Assumption of the Virgin) c.1475–1476 Tempera on wood, 228.6 × 377.2 cm National Gallery, London Heaven and earth are united in this vast, dramatic scene. A dome-shaped vault has opened up in the sky to…
Botticini, Francesco (1446-1498) Scene della vita di san Girolamo (Scenes from the Life of Saint Jerome) c.1490 Tempera on poplar, 235 × 258 cm National Gallery, London Francesco Botticini’s S. Gerolamo Altarpiece is named after Saint Jerome (who appears at its centre) and…
Bernini, Gian Lorenzo (1598-1680) Santi Andrea e Tommaso (Saints Andrew and Thomas) before 1627 Oil on canvas, 61.5 × 78.1 cm National Gallery, London Gian Lorenzo Bernini was one of the most successful sculptors and architects of seventeenth-century Rome. This image…
Tiepolo, Giambattista (1696-1770) Madonna con Bambino e i Santi Domenico e Giacinto (Virgin and Child with Saints Dominic and Hyacinth) 1730–1735 Oil on canvas, 274.3 × 137.2 cm Art Institute of Chicago, Chicago In this altarpiece, Giovanni Battista Tiepolo conceived the…
Robbia, Luca della (1400-1482) Dio Padre benedicente (God the Father Blessing) c.1450–1460 Marble, 78.7 × 55.9 cm Art Institute of Chicago, Chicago
Memling, Hans (c.1430-1494) Saint Anthony of Padua c.1485 Oil on panel, 41.3 × 33.3 cm Art Institute of Chicago, Chicago Hans Memling probably worked with Rogier van der Weyden in Brussels before settling in Bruges in 1465. Van der Weyden was well…
Memling, Hans (c.1430-1494) Man in Prayer c.1485 Oil on panel, 34.9 × 26.6 cm Art Institute of Chicago, Chicago Hans Memling probably worked with Rogier van der Weyden in Brussels before settling in Bruges in 1465. Van der Weyden was well known for his exquisite devotional diptychs, and Memling was influenced by his work,…