Tiziano (c.1488-1576) Madonna col Bambino e Maria Maddalena (Madonna and Child with Mary Magdalene) 1560s Oil on canvas, 98 x 82 cm Hermitage Museum, Saint Petersburg
Tiziano (c.1488-1576) Venere allo specchio (Venus with a Mirror) c.1555 Oil on canvas, 124.5 x 105.5 cm National Gallery of Art, Washington Titian’s goddess of love and beauty conjures the sense of touch. Observing her flushed cheek, one can almost feel its…
Tiziano (c.1488-1576) Venere allo specchio (Venus with a Mirror) c.1555 Oil on canvas, 116.5 x 101 cm Alte Pinakothek, Munich Compare: Tiziano (c.1488-1576) Venere allo specchio c.1555 National Gallery of Art, Washington
Rosso Fiorentino (1495-1540) Morte di Cleopatra (Death of Cleopatra) c.1525 Oil on canvas, 98.5 x 76.5 cm Herzog Anton Ulrich Museum, Braunschweig See also: • Cleopatra (69-30 BC) | Egypt
Veronese, Paolo (1528-1588) Ratto di Europa (The Rape of Europa) c.1570 Oil on canvas glued to oak panel, 59.5 x 70 cm National Gallery, London The story of the Rape of Europa is told in Ovid’s Metamorphoses. Mercury is ordered by his…
Veronese, Paolo (1528-1588) Allegorie dell’amore: L’infedeltà (Four Allegories of Love: Unfaithfulness) c.1575 Oil on canvas, 189.9 x 189.9 cm National Gallery, London This is one of a series of four paintings by Veronese that concern the trials and rewards of love, although…
Veronese, Paolo (1528-1588) Venere e Adone (Venus and Adonis) c.1586 Oil on canvas, 68 × 52 cm Kunsthistorisches Museum, Vienna Compare: Veronese, Paolo (1528-1588) Venere e Adone c.1580 Museo del Prado, Madrid See also: • Ovid (43 BC-17/18 AD): The Metamorphoses (English)
Angelico, Fra (c.1395-1455) & Lippi, Filippo (1406-1469) Adorazione dei Magi, Tondo Cook (The Adoration of the Magi) c.1440–1460 Tempera on poplar panel, diameter 137.3 cm National Gallery of Art, Washington Dozens of people line up around a shed-like structure and around stone ruins…
Perugino (c.1446-1523) Madonna col Bambino e due sante (Madonna and Child with Two Saints) c.1493–1495 Oil on poplar wood, 86.5 × 63 cm Kunsthistorisches Museum, Vienna “PETRUS PERUSINUS PINXIT” reads the signature placed bottom left in this half-length composition. Perugino‘s handling of…