Monet, Claude (1840-1926) Maison du jardinier à Antibes (Gardener’s House at Antibes) 1888 Oil on fabric, 91.1 x 118.4 x 13.7 cm Cleveland Museum of Art, Cleveland Monet painted 35 canvases during his visit to Antibes from January to May 1888.…
Renoir, Pierre-Auguste (1841-1919) Cros de Cagnes, mer, montagnes (Cros de Cagnes, Sea, Mountains) c.1910 Oil on canvas, 20 × 30.9 cm Bristol Museum & Art Gallery, Bristol See also: • Cagnes-sur-Mer (France)
Renoir, Pierre-Auguste (1841-1919) Sur le Grand Canal, Venise (Grand Canal, Venice) 1881 Oil on canvas, 54 x 65.1 cm Museum of Fine Arts, Boston When Renoir’s Venetian pictures were first exhibited, one critic called them, “the most outrageous series of ferocious…
Renoir, Pierre-Auguste (1841-1919) Les Grands Boulevards (The Grands Boulevards) 1875 Oil on canvas, 52.1 × 63.5 cm Philadelphia Museum of Art, Philadelphia Perhaps Renoir‘s most famous view of Paris is this archetypical image of its newest and most fashionable district in…
Manet, Édouard (1832-1883) Le Grand Canal à Venise (The Grand Canal of Venice, Blue Venice) 1875 Oil on canvas, 54 x 65 cm Shelburne Museum, Shelburne, VT See also: • Venezia (Italia)
De Chirico, Giorgio (1888-1978) Autoritratto (Self-portrait) 1920 Oil on wood, 50.2 x 39.5 cm Pinakothek der Moderne, Munich
De Chirico, Giorgio (1888-1978) Il Canto d’amore (The Song of Love) 1914 Oil on canvas, 73 × 59.1 cm Museum of Modern Art, New York
De Chirico, Giorgio (1888-1978) Il cattivo genio di un re (The Evil Genius of a King) 1914–1915 Oil on canvas, 61 x 50.2 cm Museum of Modern Art, New York
Daumier, Honoré (1808-1879) La Blanchisseuse (The Laundress) 1863? Oil on oak, 48.9 x 33 cm Metropolitan Museum of Art, New York This painting depicts a subject visible from Daumier’s studio on the quai d’Anjou in Paris: laundresses returning from laundry boats…
Pissarro, Camille (1830-1903) Le Marché aux poissons, Dieppe, temps gris, matin (The Fish Market, Dieppe: Grey Weather, Morning) 1902 Oil on canvas, 65.41 × 80.96 cm Dallas Museum of Art, Dallas Starting in the 1890s, Pissarro turned increasingly toward the depiction of…