Turner, Joseph Mallord William (1775-1851) Approach to Venice 1844 Oil on canvas, 62 x 94 cm National Gallery of Art, Washington When Approach to Venice was first exhibited in 1844, Joseph Mallord William Turner quoted Lord Byron in the catalog…
Turner, Joseph Mallord William (1775-1851) Rotterdam Ferry-Boat 1833 Oil on canvas, 92.3 x 122.5 cm National Gallery of Art, Washington A passenger boat, its bright tan sails reflecting the sun, careens among choppy water with at least eight more sailboats…
Turner, Joseph Mallord William (1775-1851) Mortlake Terrace 1827 Oil on canvas, 92.1 x 122.2 cm National Gallery of Art, Washington This painting, one of two views of Mortlake Terrace painted by Turner, is a view from the house, looking directly…
Zurbarán, Francisco de (1598-1664) & Workshop San Jerónimo con Santa Paula y San Eustoquio (Saint Jerome with Saint Paula and Saint Eustochium) c.1640–1650 Oil on fabric, 245.7 x 173.5 cm National Gallery of Art, Washington
Bellotto, Bernardo (1721–1780) Veduta di Monaco di Baviera (View of Munich) c.1761 Oil on canvas, 69.2 x 119.8 cm National Gallery of Art, Washington See also: • Munich (Germany)
Bellotto, Bernardo (1721–1780) Vaprio d’Adda 1744 Oil on canvas, 64.1 x 99.7 cm Metropolitan Museum of Art, New York By carefully staging the sunlight hitting the facades rising above the Adda River, Bellotto picks out the north Italian villages of…
Bellotto, Bernardo (1721–1780) Campo di SS Giovanni e Paolo, Venezia (The Campo di SS. Giovanni e Paolo, Venice) 1743–1747 Oil on canvas, 70.8 x 111 cm National Gallery of Art, Washington See also: • Campo Santi Giovanni e Paolo (Venezia)
Giorgione (c.1477-1510) & Tiziano (c.1488-1576) Venere dormiente (Sleeping Venus) c.1508–1510 Oil on canvas, 108.5 x 175 cm Gemäldegalerie Alte Meister, Dresden The painting is one of the most famous works of the Gemäldegalerie Alte Meister Dresden. It was probably commissioned by…