Tag: bust

Pierre Renoir (1890)

Renoir, Pierre-Auguste (1841-1919) Pierre Renoir 1890 Oil on canvas, 55.2 × 46.4 cm Detroit Institute of Arts, Detroit See also: • Renoir, Pierre (1885-1952)

Madame Bonnard (1895-1900)

Vuillard, Édouard (1868-1940) Madame Bonnard 1895–1900 Oil on cardboard, 41.7 x 31.9 cm National Gallery of Art, Washington Inscription upper left: à Bonnard / EVuillard See also: • Bonnard, Marthe (1869-1942)

Tête de femme (1916)

Matisse, Henri (1869-1954) Tête de femme, Lorette (Head of a woman, Lorette) 1916 Oil on panel, 21.9 x 15.5 cm Private collection Models were hard to come by in World War I Paris. However, at the recommendation of fellow artist Georgette…

Gabrielle (c.1890)

Renoir, Pierre-Auguste (1841-1919) Gabrielle c.1890 Pastel on paper, 55.4 x 46.3 cm Private collection Portraiture was the dominant form of Renoir’s oeuvre during the first few of decades of his career. In the 1860s and 1870s he accepted numerous paid commissions…

Claude Monet lisant (c.1873)

Renoir, Pierre-Auguste (1841-1919) Claude Monet lisant (Claude Monet reading) c.1873 Oil on canvas, 61.7 x 50 cm Musée Marmottan Monet, Paris Companion: Renoir, Auguste (1841-1919) Camille Monet c.1873 Musée Marmottan Monet, Paris     Compare: Renoir, Auguste (1841-1919) Claude Monet, Le Liseur 1872 National Gallery…

Camille Monet (c.1873)

Renoir, Pierre-Auguste (1841-1919) Camille Monet c.1873 Oil on canvas, 58 x 48.5 cm Musée Marmottan Monet, Paris Pierre Auguste Renoir is certainly the artist who most often portrayed Claude Monet and his wife Camille Doncieux. The ten or so paintings he dedicated…

Bindo Altoviti (1549)

Cellini, Benvenuto (1500-1571) Bindo Altoviti 1549 Tin-bronze, 105.5 x 68.5 x 40.5 cm Isabella Stewart Gardner Museum, Boston Bindo Altoviti (1491–1557) was a prominent banker and art collector. An opponent of the Medici family, which had ruled Florence for generations, Altoviti…

Diego Rivera (1916)

Modigliani, Amedeo (1884-1920) Diego Rivera 1916 Oil on paper, 100.5 x 81 cm Museu de Arte, São Paulo Modigliani’s characters have the Gothic, lanky behavior of a sunflower reaching up to celebrate heliotropism, as evinced in the other five portraits that integrate…