Antonello da Messina (c.1430-1479) Cristo benedicente (Christ Blessing) c.1465 Oil on wood, 38.7 x 29.8 cm National Gallery, London Christ blesses the viewer with his right hand. Antonello has altered the original position of the fingers and hand, foreshortening them –…
Canova, Antonio (1757-1822) & Workshop Testa di Paride (Head of Paris) c.1819 Marble, h. 66 cm Hermitage Museum, Saint Petersburg Compare: Canova, Antonio (1757-1822) Busto di Paride 1809 Art Institute of Chicago, Chicago
Canova, Antonio (1757-1822) Busto di Napoleone (Bust of Napoleon Bonaparte) 1803 Marble, h. 77 cm Galleria Palatina, Firenze See also: • Napoleon I (1769-1821)
Canova, Antonio (1757-1822) & Workshop Busto di Napoleone (Bust of Napoleon Bonaparte) c.1802 Marble, h. 76 cm Hermitage Museum, Saint Petersburg See also: • Napoleon I (1769-1821)
Raffaello (1483-1520) San Sebastiano (St. Sebastian) c.1502–1503 Tempera and oil on wood, 45.5 x 36.4 cm Accademia Carrara, Bergamo Originally from Urbino and initially active in Perugino‘s workshop, Raphael worked in Siena, perhaps as a collaborator of Pinturicchio, to then establish…
Raffaello (1483-1520) Busto femminile (Head and shoulders of a woman) c.1505–1507 Pen and brown ink, black chalk, 22.2 x 15.9 cm Musée du Louvre, Paris Head and shoulders of a woman, in three-quarters profile facing left, with folded arms, possibly a study…
Tiziano (c.1488-1576) Ecce Homo 1547 Oil on slate, 69 x 56 cm Museo del Prado, Madrid Although we do not know when Titian first treated this subject, it was probably in 1535, when he painted a Christ for Federico Gonzaga following a…
Whistler, James Abbott McNeill (1834-1903) Alice Butt c.1895 Oil on canvas, 51.7 x 38.1 cm National Gallery of Art, Washington Little is known about this painting’s subject, whom Whistler identified as “a little child called ‘Alice Butt‘—charming—quite Italian in type.” Set…
Goya, Francisco de (1746-1828) Doña Isabel de Porcel before 1805 Oil on canvas, 82 x 54.6 cm National Gallery, London A woman sits or stands, the top half of her body swung to our left, as she turns towards someone or something outside…
Van Eyck, Jan (c.1390-1441) Portrait of a Man (Léal Souvenir) 1432 Oil on oak, 33.3 x 18.9 cm National Gallery, London This small portrait is puzzling in many ways. We don‘t know who this man was or why he is holding…