Mantegna, Andrea (c.1431-1506) San Cristoforo (Saint Christopher) c.1500 Pen, ink, brush, wash and gouache on paper, 28.6 x 17.4 cm Cleveland Museum of Art, Cleveland
Maar, Dora (1907-1997) Jeux interdits (Forbidden Games) 1935 Gelatin silver print, montage, 28 x 21.6 cm Cleveland Museum of Art, Cleveland Maar is hardly alone among Surrealists in making works that suggest or depict sexual practices “forbidden” by society. Photography’s realism…
Lairesse, Gérard de (1641-1711) Hermes Ordering Calypso to Release Odysseus c.1670 Oil on canvas, 91.4 x 113.7 cm Cleveland Museum of Art, Cleveland Calypso, reclining on her bed, looks at us with the same charming smile she used on Odysseus. The…
El Greco (1541-1614) La Sagrada Familia con María Magdalena (The Holy Family with Mary Magdalene) c.1590–1595 Oil on canvas, 130 x 100 cm Cleveland Museum of Art, Cleveland The seemingly weightless figures, the startling color combinations, and the moody, imprecise setting…
Cassatt, Mary (1844-1926) After the Bath 1901 Pastel, 66 x 100 cm Cleveland Museum of Art, Cleveland Mary Cassatt began using pastel in the 1870s and continued to experiment with the medium throughout her career. This drawing depicts a mother and…
Bouguereau, William-Adolphe (1825-1905) Le Repos (Rest) 1879 Oil on fabric, 164.5 x 117.8 cm Cleveland Museum of Art, Cleveland One of the most celebrated academic painters of his time, Bouguereau underscores the moral virtues of the Italian peasants in this painting…
Bouguereau, William-Adolphe (1825-1905) Une vocation (A Calling) 1896 Oil on fabric, 104 x 71 cm Cleveland Museum of Art, Cleveland Seated on a stone step in the countryside, a young girl has realized that her calling in life is to be…
Botticelli, Sandro (c.1445-1510) and Workshop Madonna con Bambino e San Giovanni Battista (Virgin and Child with the Young Saint John the Baptist) c.1490 Tempera and oil on wood, diameter 68 cm Cleveland Museum of Art, Cleveland The perfectly round form, called…
Blake, William (1757-1827) The Holy Family (also known as Christ in the Lap of Truth) c.1805 Pen, ink and brush, 37.9 x 32.5 cm Cleveland Museum of Art, Cleveland Although he rejected institutionalized religion, Blake was intensely spiritual, and much of…