Van der Heyden, Jan (1637-1712) A View in Cologne c.1660–1665 Oil on oak, 33.1 x 42.9 cm National Gallery, London This is one of at least four versions that Jan van der Heyden made of this scene of Cologne and its half-built…
Van der Heyden, Jan (1637-1712) View of the Westerkerk, Amsterdam probably 1660 Oil on oak, 90.7 x 114.5 cm National Gallery, London This is one of the ultimate seventeenth-century examples of what today we might think of as a high-resolution image.…
Campin, Robert (c.1378-1444) The Annunciation 1420–1425 Oil on oak panel, 76 x 70 cm Museo del Prado, Madrid The event is set in a gothic temple, alluding to the New Law that replaces the old one, represented by the Romanesque tower in…
Pissarro, Camille (1830-1903) Quai du Pothuis, Pontoise (The Little Bridge, Pontoise) 1868 Oil on canvas, 52 x 81 cm Kunsthalle Mannheim, Mannheim See also: • Pontoise (France)
Sisley, Alfred (1839-1899) Une rue à Marly (A Street in Marly) 1876 Oil on canvas, 50 x 65 cm Kunsthalle Mannheim, Mannheim See also: • Marly-le-Roi (France)
Seurat, Georges (1859-1891) Vue du Crotoy en amont (View of Le Crotoy from Upstream) 1889 Oil on canvas, 70.5 × 86.7 cm Detroit Institute of Arts, Detroit Seurat‘s unique style of painting (called pointillism, divisionism, or neo-impressionism) was based on scientific…
Utrillo, Maurice (1883-1955) La maison de campagne (The Country House) 1927 Oil on canvas, 73 × 54.6 cm Detroit Institute of Arts, Detroit
Millet, Jean-François (1814-1875) La Maison natale de Millet à Gruchy (Millet’s Birthplace at Gruchy) c.1863 Pastel over crayon on paper, 31.2 x 45.5 cm Museum of Fine Arts, Boston See also: • Gruchy, Gréville-Hague (France)
Millet, Jean-François (1814-1875) La Maison familiale de Millet à Gruchy (Millet’s Family Home at Gruchy) 1854 Oil on canvas, 59.7 x 73.7 cm Museum of Fine Arts, Boston See also: • Gruchy, Gréville-Hague (France)
Carracci, Annibale (1560-1609) Paesaggio con fiume e bagnanti (Landscape with river and bathers) s.d. Oil on canvas, 47 × 56 cm Museo del Prado, Madrid Attributed to Annibale Carracci.