Turner, Joseph Mallord William (1775-1851) Venice, from the Porch of Madonna della Salute c.1835 Oil on canvas, 91.4 x 122.2 cm Metropolitan Museum of Art, New York Turner drew on his considerable experience as a marine painter and the brilliance…
Turner, Joseph Mallord William (1775-1851) Whalers c.1845 Oil on canvas, 91.8 x 122.6 cm Metropolitan Museum of Art, New York Turner was seventy years old when Whalers debuted to mixed reviews at the Royal Academy exhibition of 1845. Its subject…
Van Gogh, Vincent (1853-1890) Green Wheat Fields, Auvers 1890 Oil on canvas, 72.39 x 91.44 cm National Gallery of Art, Washington Vincent van Gogh (1853–1890) is one of the most popular and universally recognized artists of all time. A remarkably…
Van Gogh, Vincent (1853-1890) Wheat Field with Cypresses (F 717, JH 1756) 1889 Oil on canvas 73.2 x 93.4 cm Metropolitan Museum of Art, New York Cypresses gained ground in Van Gogh’s work by late June 1889 when he resolved…
Renoir, Pierre-Auguste (1841-1919) Vue de Bougival (View of Bougival) 1873 Oil on canvas, 49.53 x 57.15 cm Milwaukee Art Museum, Milwaukee View of Bougival epitomizes the characteristics that would come to define Pierre Auguste Renoir’s special contributions to the Impressionist…
Monet, Claude (1840-1926) Régates à Sainte-Adresse (Regatta at Sainte-Adresse) 1867 Oil on canvas, 75.2 x 101.6 cm Metropolitan Museum of Art, New York Monet spent the summer of 1867 at Sainte-Adresse, a well-to-do suburb of Le Havre on the Normandy…
Corot, Jean-Baptiste-Camille (1796-1875) Bacchante dans un paysage (Bacchante in a Landscape) 1865–1870 Oil on canvas, 30.8 x 61.5 cm Metropolitan Museum of Art, New York This painting is closely related to Bacchante by the Sea, also in the Museum’s collection,…
Cézanne, Paul (1839-1906) Paysage près de Paris (Landscape near Paris) c.1876 Oil on canvas, 50.2 x 60 cm National Gallery of Art, Washington Across a grassy field, a row of buildings and two trees line the horizon, which comes about halfway…
Zurbarán, Francisco de (1598-1664) La Inmaculada Concepción (Immaculate Conception) 1628–1630 Oil on canvas, 128 x 89 cm Museo del Prado, Madrid The worship of the Immaculate Virgin is one of seventeenth-century Spain‘s identity traits, especially following a considerable argument between…