Perugino (c.1446-1523) Consegna delle chiavi (The Delivery of the Keys) 1481–1482 Fresco, 335 × 550 cm Cappella Sistina, Vaticano
Consegna delle chiavi (1481-1482)
Tag: cloud
Jeune bergère (1885)
Bouguereau, William-Adolphe (1825-1905) Jeune bergère (Young Shepherdess) 1885 Oil on canvas mounted on board, 157.48 cm x 72.39 cm San Diego Museum of Art, San Diego
Incoronazione della Vergine (c.1434-1435)
Angelico, Fra (c.1395-1455) Incoronazione della Vergine (Coronation of the Virgin) c.1434–1435 Tempera on poplar, 209 x 206 cm Musée du Louvre, Paris The miter-shaped cutout of the painted surface at the top is original. Main register of an altarpiece from which elements…
Le Martyre de saint Symphorien (1865)
Ingres, Jean Auguste Dominique (1780-1867) Le Martyre de saint Symphorien (The Martyrdom of Saint Symphorien) 1865 Oil on canvas, 36.7 x 31.6 cm Philadelphia Art Museum, Philadelphia
Raphaël et la Fornarina (1814)
Ingres, Jean Auguste Dominique (1780-1867) Raphaël et la Fornarina (Raphael and the Fornarina) 1814 Oil on canvas, 64.8 x 53.3 cm Fogg Museum, Cambridge, MA Compare: Raffaello (1483-1520) La Fornarina c.1520 Palazzo Barberini, Roma Raffaello (1483-1520) Madonna della Seggiola 1513–1514 Galleria Palatina, Firenze…
Jupiter et Antiope (1851)
Ingres, Jean Auguste Dominique (1780-1867) Jupiter et Antiope (Jupiter and Antiope) 1851 Oil on canvas, 32.5 x 43.5 cm Musée d’Orsay, Paris
Oedipe explique l’énigme du sphinx (1808)
Ingres, Jean Auguste Dominique (1780-1867) Oedipe explique l’énigme du sphinx (Oedipus explains the enigma of the Sphinx) 1808 Oil on canvas, 189 x 144 cm Musée du Louvre, Paris Interior of a cave; naked Oedipus standing in profile with one foot…
Stables (1932)
O’Keeffe, Georgia (1887-1986) Stables 1932 Oil on canvas, 30.5 × 81.3 cm Detroit Institute of Arts, Detroit
Vue du Crotoy en amont (1889)
Seurat, Georges (1859-1891) Vue du Crotoy en amont (View of Le Crotoy from Upstream) 1889 Oil on canvas, 70.5 × 86.7 cm Detroit Institute of Arts, Detroit Seurat‘s unique style of painting (called pointillism, divisionism, or neo-impressionism) was based on scientific…
L’Immacolata Concezione (1733-1736)
Tiepolo, Giambattista (1696-1770) L’Immacolata Concezione (The Immaculate Conception) 1733–1736 Oil on canvas, 33.8 × 28.3 cm Detroit Institute of Arts, Detroit Compare: Tiepolo, Giambattista (1696-1770) L’Immacolata Concezione 1767–1769 Museo del Prado, Madrid