Degas, Edgar (1834-1917) Jockeys à cheval avant les collines lointaines (Jockeys on Horseback before Distant Hills) 1884 Oil on canvas, 44.9 × 54.9 cm Detroit Institute of Arts, Detroit
Jockeys à cheval avant les collines lointaines (1884)
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Le sentier, femmes causant (1889)
Pissarro, Camille (1830-1903) Le sentier, femmes causant (The Path, Women Chatting) 1889 Oil on canvas, 72.4 × 59.7 cm Detroit Institute of Arts, Detroit
Ritratto di un collezionista (c.1523)
Parmigianino (1503-1540) Ritratto di un collezionista (Portrait of a Collector) c.1523 Oil on wood, 89.5 x 63.8 cm National Gallery, London When listed in the inventory of Ranuccio Farnese in 1587 this picture was titled Portrait of a Priest, but there…
Visione di san Girolamo (1526-1527)
Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…
Madonna dal collo lungo (1534-1540)
Parmigianino (1503-1540) Madonna dal collo lungo (Long-necked Madonna) 1534–1540 Oil on panel, 216.5 x 132.5 cm Galleria degli Uffizi, Firenze
Matrimonio mistico di santa Caterina (c.1529)
Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (The Mystic Marriage of Saint Catherine) c.1529 Oil on wood, 21 × 27 cm Musée du Louvre, Paris Compare: Parmigianino (1503-1540) Matrimonio mistico di santa Caterina c.1527–1529 Private collection Parmigianino (1503-1540) Matrimonio mistico di…
Conversione di san Paolo (c.1527-1528)
Parmigianino (1503-1540) Conversione di san Paolo (The Conversion of St Paul) c.1527–1528 Oil on canvas, 177.5 × 128.5 cm Kunsthistorisches Museum, Vienna As the Acts of the Apostles recount, Saul was suddenly surrounded by heavenly light on his way to Damascus, where…
Ritratto di dama (1520-1524)
Correggio (c.1489-1534) Ritratto di dama (Portrait of a Lady) 1520–1524 Oil on canvas, 103 × 87.5 cm Hermitage Museum, Saint Petersburg A sensual version of Raphaelesque grace was produced by Antonio Allegri, known as Correggio, a painter who worked in Parma.…
Giove e Io (c.1530)
Correggio (c.1489-1534) Giove e Io (Jupiter and Io) c.1530 Oil on canvas, 162 × 73.5 cm Kunsthistorisches Museum, Vienna Jupiter fell in love with Io, the beautiful daughter of the river god. The shy nymph wanted to flee, but the god…
Allegoria del Vizio (c.1531)
Correggio (c.1489-1534) Allegoria del Vizio (Allegory of Vice) c.1531 Tempera on canvas, 14.2 × 85.5 cm Musée du Louvre, Paris Companion: Correggio (c.1489-1534) Allegoria della Virtù c.1531 Musée du Louvre, Paris See also: • Isabella d’Este, Marchesa di Mantova (1474-1539)