Tag: collar

Self-Portrait (1623)

Rubens, Peter Paul (1577-1640) Self-Portrait 1623 Oil on panel, 85.7 x 62.2 x 0.5 cm Royal Collection, Buckingham Palace, London This painting seems to have been something of a face-saver. In 1621 Rubens supplied Lord Danvers with a Lion Hunt (now lost),…

Testa d’uomo di profilo (c.1588-1895)

Carracci, Annibale (1560-1609) Testa d’uomo di profilo (Head of a Man in Profile) c.1588–1595 Oil on canvas, 44.8 x 32.1 cm Royal Collection, Windsor Castle This vivid head is precisely the type of study from everyday life practised so passionately by…

Ragazzo che beve (1582-1583)

Carracci, Annibale (1560-1609) Ragazzo che beve (Boy Drinking) 1582–1583 Oil on canvas, 55.8 x 43.7 cm Cleveland Museum of Art, Cleveland Together with his brother Agostino and cousin Lodovico, Annibale Carracci introduced artistic reforms in Italy based on close observation of…

Portrait of a young merchant (1541)

Holbein, Hans the Younger (c.1497-1543) Portrait of a young merchant 1541 Oil on oak, 46.5 × 34.8 cm Kunsthistorisches Museum, Vienna Holbein created a new style of portraiture that is characterized by monumentality paired with extreme painterly precision. The young businessman…

Large Self-Portrait (1652)

Rembrandt (1606-1669) Large Self-Portrait 1652 Oil on canvas, 112 × 81.5 cm Kunsthistorisches Museum, Vienna The self-portrait is of particular importance in Rembrandt‘s work. In total, the artist created over sixty painted self-portraits, which document not only his personal circumstances but…

The Honeysuckle Bower (c.1609-1610)

Rubens, Peter Paul (1577-1640) The Honeysuckle Bower c.1609–1610 Oil on canvas, transferred to wood, 178 x 136.5 cm Alte Pinakothek, Munich Rubens returned to Antwerp in 1608 after an eight-year stay in Italy. The following year he married Isabella Brant. This…

La Jeune bonne (c.1918)

Modigliani, Amedeo (1884-1920) La Jeune bonne (The Servant Girl) c.1918 Oil on canvas, 152.4 x 60.96 cm Buffalo AKG Art Museum, Buffalo Between 1915 and 1920, Amedeo Modigliani executed many portraits in a style characterized by sparse settings and figures rendered…

Ritratto di Gian Paolo Zappi (c.1577)

Fontana, Lavinia (1552-1614) Ritratto di Gian Paolo Zappi (Portrait of Gian Paolo Zappi) c.1577 Oil on copper, 17 x 14 cm Museo de Zaragoza, Zaragoza Recto: Fontana, Lavinia (1552-1614) Autoritratto c.1577 Museo de Zaragoza, Zaragoza   Double portrait of a married couple. See also:…