Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…
Siddal, Elizabeth (1829-1862) Lady Affixing Pennant to a Knight’s Spear c.1856 Watercolour on paper, 13.7 x 13.7 cm Tate Britain, London Elizabeth Siddall began painting in 1852 and made over a hundred works in the following ten years. Her style and subject…
Carracci, Annibale (1560-1609) Il ristoro miracoloso (The miraculous refreshment) 1604–1605 Fresco transferred to canvas, 126 x 230.5 cm Museo del Prado, Madrid The paintings in the chapel paid for by the Spanish banker Juan Enríquez de Herrera in the church of Santiago…
Carracci, Annibale (1560-1609) Apparizione di San Diego sopra il suo sepolcro (Apparition of Saint Didacus above his sepulchre) 1604–1606 Fresco transferred to canvas Museu Nacional d’Art de Catalunya, Barcelona Mural Paintings from the Herrera Chapel.
Carracci, Annibale (1560-1609) Pietà con i santi Chiara, Francesco e Maria Maddalena (Pietà with Saints Clare, Francis and Mary Magdalene) 1585 Oil on canvas, 378.3 × 239.7 cm Galleria Nazionale, Parma
Carracci, Annibale (1560-1609) Agonia nell’orto (The Agony in the Garden) c.1596–1597 Oil on panel, 39.1 x 30.3 cm Royal Collection, Windsor Castle Against a dark background the figure of Christ kneels, his head turned right towards the figure of an angel in…
Carracci, Annibale (1560-1609) Domine, quo vadis? (Christ appearing to Saint Peter on the Appian Way) 1601–1602 Oil on wood, 77.4 x 56.3 cm National Gallery, London Saint Peter fled Rome after Christ’s crucifixion, scared that he too would be executed by…
Carracci, Annibale (1560-1609) Crocifissione (The Crucifixion) c.1587–1588 Oil on canvas laid on panel, 81.5 × 61.5 cm Yale University Art Gallery, New Haven
Carracci, Annibale (1560-1609) San Giovanni Battista rende testimonianza (Saint John the Baptist Bearing Witness) c.1600 Oil on copper, 54.3 x 43.5 cm Metropolitan Museum of Art, New York Annibale launched the vogue for landscapes in which nature is transformed by the…
Cranach, Lucas the Elder (1472-1553) Crucifixion of Christ c.1500–1501 Oil on lime, 58.5 × 45 cm Kunsthistorisches Museum, Vienna The small-format panel, which was probably used for private devotion, dates from Cranach‘s first known creative period, which the artist spent in…