Goya, Francisco de (1746-1828) La Condesa de Chinchón (The Countess of Chinchón) 1800 Oil on canvas, 216 x 144 cm Museo del Prado, Madrid María Teresa de Bourbon y Vallabriga, Marchioness of Boadilla del Monte and Countess of Chichón, was the daughter…
Van Eyck, Jan (c.1390-1441) The Annunciation c.1434–1436 Oil on canvas transferred from panel, 90.2 x 34.1 cm National Gallery of Art, Washington The Annunciation described by Saint Luke is interpreted in terms of actuality in this painting, which was probably once…
Tissot, James (1836-1902) Cache-cache (Hide and Seek) c.1877 Oil on wood, 73.4 x 53.9 cm National Gallery of Art, Washington In early 1874 Degas wrote, “Look here, my dear Tissot. . . you positively must exhibit at the Boulevard [in the…
Vermeer, Jan (1632-1675) Young Woman seated at a Virginal (Zittende virginaalspeelster) c.1672–1675 Oil on canvas, 25.5 x 20.1 cm Private collection, New York This entrancing picture, the only one of Vermeer’s mature works remaining in private hands, captures the quiet joy of…
Vermeer, Jan (1632-1675) The Guitar Player (De gitaarspeelster) c.1672 Oil on canvas, 53 x 46.3 cm Kenwood House, London Compare: Vermeer, Jan (1632-1675) Young Woman seated at a Virginal c.1672–1675 Private collection, New York
Vermeer, Jan (1632-1675) A Young Woman Standing at a Virginal (Staande Virginaalspeelster) c.1670–1672 Oil on canvas, 51.7 x 45.2 cm National Gallery, London A young woman standing at a keyboard holds our eye with a direct gaze. Suffused in the light…
Vermeer, Jan (1632-1675) A Young Woman Seated at a Virginal (Zittende virginaalspeelster) c.1670–1672 Oil on canvas, 51.5 x 45.5 cm National Gallery, London A colourful hanging tapestry has been swept to one side to reveal a young woman seated at a…
Vermeer, Jan (1632-1675) Mistress and Maid (Dame en dienstbode) c.1666–1667 Oil on canvas, 90.2 x 78.7 cm Frick Collection, New York Vermeer chose a large canvas for this composition, which presents two women pondering a newly arrived letter. Depicting an interior…
Vermeer, Jan (1632-1675) The Lacemaker (De kantwerkster) 1669–1670 Oil on canvas transferred to panel, 24 x 21 cm Musée du Louvre, Paris The motif of the lacemaker at work is traditionally a sign of domestic virtue, tinged with religious moralism (the…
Mantegna, Andrea (c.1431-1506) Morte della Vergine (Death of the Virgin) c.1462 Oil on wood, 54.5 x 42 cm Museo del Prado, Madrid The Virgin Mary lies on her deathbed, surrounded by eleven Apostles. Through the window, the Borgo di San Giorgio and…