Van Gogh, Vincent (1853-1890) Peasant Woman Cooking by a Fireplace 1885 Oil on canvas, 44.1 x 38.1 cm Metropolitan Museum of Art, New York This work was made in Nuenen in late spring 1885, just after Van Gogh completed The Potato Eaters…
Schiele, Egon (1890-1918) Crouching human couple / The Family (Kauerndes Menschenpaar / Die Familie) 1918 Oil on canvas, 150 × 160.8 cm Österreichische Galerie Belvedere, Vienna A man and a woman, both naked, crouch in the darkness of a room. A child…
Millet, Jean-François (1814-1875) L’hiver, Ramasseuses de fagots (Winter, The Faggot Gatherers) 1868–1875 Oil on canvas, 82 x 100 cm National Museum Wales, Cardiff
Daubigny, Charles-François (1817-1878) Honoré Daumier probably 1870–1876, but possibly 1867–1868 Oil on canvas, 76.2 × 62.9 cm National Gallery, London Portraits by Daubigny are quite rare, as he was primarily a landscape painter who was closely associated with the Barbizon group.…
De Morgan, Evelyn (1855-1919) Lux in Tenebris 1895 Oil on canvas, 150.5 x 99.5 cm De Morgan Collection
Rossetti, Dante Gabriel (1828-1882) Proserpine (Proserpina) 1874 Oil on canvas, 125.1 cm × 61 cm Tate Britain, London Compare: Rossetti, Dante Gabriel (1828-1882) Proserpine 1878 Private collection Rossetti, Dante Gabriel (1828-1882) Proserpine 1882 Birmingham Museum and Art Gallery, Birmingham …
Carracci, Annibale (1560-1609) Agonia nell’orto (The Agony in the Garden) c.1596–1597 Oil on panel, 39.1 x 30.3 cm Royal Collection, Windsor Castle Against a dark background the figure of Christ kneels, his head turned right towards the figure of an angel in…
Carracci, Annibale (1560-1609) La sepoltura di Cristo (The Burial of Christ) 1595 Oil on copper, 43.8 x 34.9 cm Metropolitan Museum of Art, New York This deeply moving picture was painted for one of Carracci’s patrons, Astorre di Vincenzo Sampieri, a…
Brueghel, Jan the Elder (1568-1625) The Temptation of Saint Anthony 1594 Oil on copper, 25.2 × 35.2 cm Yale University Art Gallery, New Haven
Whistler, James Abbott McNeill (1834-1903) Nocturne: Blue and Gold—Southampton Water 1872 Oil on canvas, 51 × 76.7 cm Art Institute of Chicago, Chicago In the early 1870s James McNeill Whistler took a radical step toward abstraction with his Nocturnes series. In…