Tag: dead

Compianto sul Cristo morto (1495)

Perugino (c.1446-1523) Compianto sul Cristo morto (Lamentation over the Dead Christ) 1495 Oil on wood, 220 x 195 cm Galleria Palatina, Palazzo Pitti, Firenze Inscription: PETRUS PERUSINUS PINXIT A.D. MCCCCLXXXXV The body of Christ taken down from the cross is lying over…

Tebaide (c.1420)

Angelico, Fra (c.1395-1455) Tebaide (Thebaid) c.1420 Tempera on panel, 75 x 207 cm Galleria degli Uffizi, Firenze

Marat Assassiné (1793)

David, Jacques-Louis (1748-1825) Marat Assassiné (Marat Assassinated) 1793 Oil on canvas, 165 x 128 cm Musées Royaux des Beaux-Arts de Belgique, Brussels See also: • Marat, Jean-Paul (1743-1793)

Pietà con le tre Marie (c.1604)

Carracci, Annibale (1560-1609) Pietà con le tre Marie (The Dead Christ Mourned, The Three Maries) c.1604 Oil on canvas, 92.8 x 103.2 cm National Gallery, London This is perhaps the most poignant image in the National Gallery’s collection of the pietà…

La sepoltura di Cristo (1595)

Carracci, Annibale (1560-1609) La sepoltura di Cristo (The Burial of Christ) 1595 Oil on copper, 43.8 x 34.9 cm Metropolitan Museum of Art, New York This deeply moving picture was painted for one of Carracci’s patrons, Astorre di Vincenzo Sampieri, a…

Manaò tupapaú (1892)

Gauguin, Paul (1848-1903) Manaò tupapaú (Spirit of the Dead Watching) 1892 Oil on jute mounted on canvas, 73.02 x 92.39 cm Buffalo AKG Art Museum, Buffalo In 1891, after many years without commercial success in France, Paul Gauguin traveled to the…

Copie d’après Le Titien (c.1864)

Cézanne, Paul (1839-1906) Copie d’après Le Titien (Study after Titian’s Entombment of Christ) c.1864 Oil on paper mounted on canvas, 20 x 29.5 cm Rhode Island School of Design, Providence Compare: Tiziano (c.1488-1576) Deposizione di Cristo c.1520 Musée du Louvre, Paris  …

Pietà (early 1570s)

El Greco (1541-1614) Pietà (Lamentation) Early 1570s Oil on panel, 28.9 × 20 cm Philadelphia Art Museum, Philadelphia El Greco was born in the Venetian territory of Crete and trained in Venice before moving to Rome. There he encountered the work…