Bruegel, Pieter the Elder (c.1525-1569) The Adoration of the Kings 1564 Oil on oak, 112.1 × 83.9 cm National Gallery, London The Virgin sits in front of a dilapidated stable with the naked Christ Child on her knee. Three men offer…
Veronese, Paolo (1528-1588) La creazione di Eva (The Creation of Eve) c.1575 Oil on canvas, 81 × 103 cm Art Institute of Chicago, Chicago
Duccio di Buoninsegna (c.1255-c.1319) Natività con i profeti Isaia ed Ezechiele (The Nativity with the Prophets Isaiah and Ezekiel) 1308–1311 Tempera on single poplar panel, 48 × 86.8 × 7.9 cm National Gallery of Art, Washington This painting was part of…
Constable, John (1776-1837) Wivenhoe Park, Essex 1816 Oil on canvas, 56.1 x 101.2 cm National Gallery of Art, Washington We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in…
Carpaccio, Vittore (c.1460-c.1526) La fuga in Egitto (The Flight into Egypt) c.1515 Oil on panel, 72 x 111 cm National Gallery of Art, Washington Joseph, Mary, and her newborn son, Jesus, have fled Bethlehem and are on the road to Egypt. They…
Rubens, Peter Paul (1577-1640) The Return of the Holy Family from Egypt c.1630 Oil on canvas, 231.5 x 153 cm Wadsworth Atheneum, Hartford
Botticelli, Sandro (c.1445-1510) Natività (The Nativity) c.1473–1475 Fresco transferred to canvas, 161.3 x 137.2 cm Columbia Museum of Art, Columbia Sandro Botticelli is arguably the most renowned Renaissance master of the 15th century. The Nativity is not only the sole Botticelli…
Corot, Jean-Baptiste-Camille (1796-1875) Don Quichotte (Don Quixote) c.1865–1868 Oil on canvas, 189.9 x 138.1 cm Cincinnati Art Museum, Cincinnati See also: • Cervantes, Miguel de (1547-1516)
Daubigny, Charles-François (1817-1878) Paysage près de Crémieu (Landscape near Crémieu) c.1849 Oil on canvas, 62.87 x 90.81 cm Minneapolis Institute of Art, Minneapolis See also: • Crémieu (France)
Rembrandt (1606-1669) Abraham dismissing Hagar and Ishmael 1640 Oil on oak panel, 39 × 53.2 cm Victoria and Albert Museum, London CAI.78 is signed and dated Rembrandt f. 1640, and was generally accepted as an autograph work until 1973. However, the earliest…