Burne-Jones, Edward (1833-1898) The Love Song 1868–1877 Oil on canvas, 114.3 x 155.9 cm Metropolitan Museum of Art, New York Burne-Jones associated this painting with a refrain from a French folk ballad: “Alas, I know a love song, / Sad or…
Bosch, Hieronymus (c.1450-1516) St. Martin s.d. Engraving, 33.1 x 41.8 cm Princeton University Art Museum, Princeton
Homer, Winslow (1836-1910) The Nooning c.1872 Oil on canvas, 33.8 x 49.9 cm Wadsworth Atheneum, Hartford
Millet, Jean-François (1814-1875) La famille paysanne (The peasant family) 1871–1872 Oil on canvas, 110.4 x 81 cm National Museum Wales, Cardiff The British painter Sickert commented: ‘The sublime man and his stolid spouse face the spectator with all the gravity and symmetry…
Derain, André (1880-1954) L’église de Vers (The Church at Vers) 1912 Oil on canvas, 65.5 x 92.3 cm National Museum Wales, Cardiff See also: • Vers, Lot (France)
Daumier, Honoré (1808-1879) Don Quichotte lisant (Don Quixote reading) 1865–1867 Oil on canvas, 82.2 x 65 cm National Museum Wales, Cardiff Compare: Daumier, Honoré (1808-1879) Don Quichotte et Sancho Panza c.1855 National Gallery, London Daumier, Honoré (1808-1879) Don Quichotte et Sancho Panza…
Rubens, Peter Paul (1577-1640) Samson and Delilah c.1609–1610 Oil on wood, 185 × 205 cm National Gallery, London Peter Paul Rubens’s Samson and Delilah portrays a tragedy of love and betrayal. According to the Old Testament, Samson, a Jewish hero blessed…
Giotto (c.1267-1337) & Workshop Pentecoste (Pentecost) c.1310–1318 Egg tempera on poplar, 45.5 × 44 cm National Gallery, London The simplicity of the storytelling, the inclusion of lively details – like the old man who turns his head to better hear the…
Duccio di Buoninsegna (c.1255-c.1319) Guarigione del cieco nato (The Healing of the Man born Blind) c.1307–1311 Egg tempera on wood, 45.1 × 46.7 cm National Gallery, London This painting comes from the back of the predella of the large, double-sided altarpiece made…
Duccio di Buoninsegna (c.1255-c.1319) Annunciazione (The Annunciation) c.1307–1311 Egg tempera on wood, 44.5 × 45.8 cm National Gallery, London This panel was the first in a series of scenes of the infancy of Christ on the front of the predella (lowest part)…