Allori, Alessandro (1535-1607) Cristo nella casa di Marta e Maria (Christ in the House of Martha and Mary) 1605 Oil on poplar, 125 x 118 cm Kunsthistorisches Museum, Vienna Inscribed on the stone at the right side of the well:…
Allori, Alessandro (1535-1607) San Giovanni Battista nel deserto (St. John the Baptist in the Desert) 1586 Oil on copper, 34.50 x 26 cm Musée Fabre, Montpellier
Allori, Alessandro (1535-1607) Venere e Cupido (Venus and Cupid) c.1575–1580 Oil on wood, 143 x 226.50 cm Musée Fabre, Montpellier The Mannerist painter Allori designed a complex representation of Venus which owes much to the powerful figures of Michelangelo. The…
Allori, Alessandro (1535-1607) Autoritratto (Self-portrait) c.1555 Oil on panel, 60 x 46.5 cm Galleria degli Uffizi, Firenze
Bronzino (1503-1572) & Workshop Eleonora di Toledo col figlio (Eleonora of Toledo and Her Son) c.1545–1550 Oil on panel, 121.6 x 100 cm Detroit Institute of Arts, Detroit Portraiture was an important political tool for the ducal Medici family. Often…
Bronzino (1503-1572) Ritratto di Bia de’ Medici (Portrait of Bia de’ Medici) c.1542–1545 Oil on panel, 63.3 x 48 cm Galleria degli Uffizi, Firenze In the late 19th century, this painting was already identified as a portrait of the “natural…
Bronzino (1503-1572) Eleonora di Toledo c.1560 Oil on panel, 86.4 x 65.1 cm National Gallery of Art, Washington See also: • Eleonora di Toledo (1522-1562)
Bronzino (1503-1572) Una giovane donna e il suo bambino (A Young Woman and Her Little Boy) c.1540 Oil on panel, 99.5 x 76 cm National Gallery of Art, Washington A woman wearing a crimson-red brocade dress and gold jewelry fills…
Bronzino (1503-1572) Madonna e Bambino con santi (The Madonna and Child with Saints) c.1540 Oil on wood, 101.6 x 81.3 cm National Gallery, London Elderly Saint Elizabeth looks down over the Virgin Mary’s shoulder at her son Saint John the…
Bronzino (1503-1572) Allegoria del trionfo di Venere (An Allegory with Venus and Cupid) c.1545 Oil on wood, 146.1 x 116.2 cm National Gallery, London This is one of Bronzino’s most complex and enigmatic paintings. It contains a tangle of moral…