Bellini, Giovanni (c.1430-1516) Madonna con Bambino (Samuel H. Kress Collection) 1480–1485 Oil on panel, 52.3 x 41.5 cm National Gallery of Art, Washington Shown from the waist up, a young woman holds a baby up against her chest in this vertical…
Bellini, Giovanni (c.1430-1516) Il festino degli dei (The Feast of the Gods) 1514 Oil on canvas, 170 x 188 cm National Gallery of Art, Washington Completed by his disciple, Titian, in 1529 Titian‘s landscape to the left of the painting. Six…
Van Gogh, Vincent (1853-1890) The Potato Eaters (De Aardappeleters) 1885 Oil on canvas, 82 x 114 cm Van Gogh Museum, Amsterdam F0082-JH0764 Nuenen, April-May 1885 Van Gogh saw the Potato Eaters as a showpiece, for which he deliberately chose a difficult…
Manet, Édouard (1832-1883) Le déjeuner sur l’herbe (Luncheon on the Grass) 1863 Oil on canvas, 207 x 265 cm Musée d’Orsay, Paris Rejected by the jury of the 1863 Salon, Manet exhibited Le déjeuner sur l’herbe under the title Le Bain…
Bruegel the Elder, Pieter (c.1525-1569) Christ and the Woman Taken in Adultery 1565 Oil on panel, 24.1 x 34.4 cm Courtauld Institute of Art, London Inscription: lower left corner within image: BRVEGEL.M.D.LXV ‘Grisaille’, or painting in shades of grey, was traditionally…
Bruegel the Elder, Pieter (c.1525-1569) The Procession to Calvary 1564 Oil on oak panel, 124.3 × 170.6 × 1 cm Kunsthistorisches Museum, Vienna Inscribed at lower right: BRVEGEL. MD.LXIIII Bruegel continues the Netherlandish pictorial tradition reaching back to Jan van Eyck…
Leonardo da Vinci (1452-1519) Sant’Anna, la Vergine e il Bambino con l’agnellino (Virgin and Child with St Anne) c.1503–1519 Oil on poplar, 168 x 130 cm Musée du Louvre, Paris This painting was started around 1503 at least, in Florence, then was…
Leonardo da Vinci (1452-1519) Vergine delle rocce (Virgin of the Rocks) c.1491–1499 and 1506–1508 Oil on poplar, thinned and cradled, 189.5 x 120 cm National Gallery, London Full title: The Virgin with the Infant Saint John the Baptist adoring the Christ Child…
Leonardo da Vinci (1452-1519) L’Ultima Cena (The Last Supper) 1494–1498 Dry wall-painting, 460 x 880 cm Santa Maria delle Grazie, Milano Leonardo did not use the traditional fresco technique to paint the Last Supper and the lunettes. He chose a method that…