Tag: drapery

I am half sick of shadows (1915)

Waterhouse, John William (1849-1917) ‘I am half sick of shadows,’ said The Lady of Shalott (Alfred, Lord Tennyson, The Lady of Shalott, Part II) 1915 Oil on canvas, 100.3 x 73.7 cm Art Gallery of Ontario, Toronto See also: • Tennyson, Alfred (1809-1892)

Corpus (c.1650)

Bernini, Gian Lorenzo (1598-1680) Corpus (The Crucified Christ) c.1650 Bronze, 174 cm Art Gallery of Ontario, Toronto

Nu couché (1923-1924)

Matisse, Henri (1869-1954) Nu couché (Reclining Nude) 1923–1924 Oil on canvas, 60 x 92 cm Barnes Foundation, Philadelphia Matisse painted this work in Nice, a city in the South of France that he visited frequently in the 1920s. The canvas is…

Avant le bain (c.1875)

Renoir, Pierre-Auguste (1841-1919) Avant le bain (Before the Bath) c.1875 Oil on canvas, 82 x 66.5 cm Barnes Foundation, Philadelphia When Renoir first exhibited this painting publicly, at an 1875 auction in Paris, audiences were shocked by its naturalism. Rather than…

La crucifixión (1627)

Zurbarán, Francisco de (1598-1664) La crucifixión (The Crucifixion) 1627 Oil on canvas, 290.3 × 165.5 cm Art Institute of Chicago, Chicago Beginning in the mid-sixteenth century, the Roman Catholic Church clarified and reaffirmed its doctrine and practices in an effort to…

Cristo abrazando la cruz (c.1587-1596)

El Greco (1541-1614) Cristo abrazando la cruz (Christ with the Cross) c.1587–1596 Oil on canvas, 66 x 52.5 cm Museo Thyssen-Bornemisza, Madrid Christ holding the cross was a motif that El Greco derived from the narrative of Christ’s Passion, creating an…

La Anunciación (c.1596-1600)

El Greco (1541-1614) La Anunciación (The Annunciation) c.1596–1600 Oil on canvas, 114 x 67 cm Museo Thyssen-Bornemisza, Madrid This is a small-scale replica of the canvas on the same subject now in the Museo del Prado and was originally part of…

La Anunciación (c.1576)

El Greco (1541-1614) La Anunciación (The Annunciation) c.1576 Oil on canvas, 117 x 98 cm Museo Thyssen-Bornemisza, Madrid In the course of his life, EI Greco painted numerous versions of the Annunciation, thus allowing his stylistic development to be traced through…