Kahlo, Frida (1907-1954) Autorretrato dedicado a León Trotsky (Self-Portrait Dedicated to Leon Trotsky) 1937 Oil on masonite 76 x 60.96 cm National Museum of Women in the Arts, Washington © 2012 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico,…
Fontana, Lavinia (1552-1614) Ritratto di Costanza Alidosi (Portrait of Costanza Alidosi) c.1595 Oil on canvas 157.48 x 119.39 cm National Museum of Women in the Arts, Washington Lavinia Fontana depicted the Bolognese noblewoman Costanza Alidosi seated in a sparsely, yet…
Frédéric Bazille (1841-1870) Nature morte avec du poisson (Still life with fish) 1866 Oil on canvas 63.5 x 81.9 cm Detroit Institute of Arts, Detroit
Bazille, Frédéric (1841-1870) La diseuse de bonne aventure (The fortune teller) 1869 Oil on canvas 61 x 46 cm Private collection
Claudel, Camille (1864-1943) L’Âge mûr (The Mature Age) 1899 Bronze, 61.5 x 85 cm x 375 cm Musée Camille Claudel, Nogent-sur-Seine
Waterhouse, John William (1849-1917) ‘I am half sick of shadows,’ said The Lady of Shalott (Alfred, Lord Tennyson, The Lady of Shalott, Part II) 1915 Oil on canvas, 100.3 x 73.7 cm Art Gallery of Ontario, Toronto See also: • Tennyson, Alfred (1809-1892)
Bernini, Gian Lorenzo (1598-1680) Corpus (The Crucified Christ) c.1650 Bronze, 174 cm Art Gallery of Ontario, Toronto
Guercino (1591-1666) Il ritorno del figliol prodigo (The Return of the Prodigal Son) 1654–1655 Oil on canvas, 155.6 x 146.1 cm Timken Museum of Art, San Diego The parable depicted by Il Guercino (a nickname meaning “squint-eyed”) is the one most…
Murillo, Bartolomé Esteban (1617-1682) Cristo en la cruz (Christ on the Cross) 1660–1670 Oil on canvas, 208.9 x 113 cm Timken Museum of Art, San Diego In this late painting by Bartolomé Estebán Murillo, the luminous figure of Christ appears against…
Matisse, Henri (1869-1954) Nu couché (Reclining Nude) 1923–1924 Oil on canvas, 60 x 92 cm Barnes Foundation, Philadelphia Matisse painted this work in Nice, a city in the South of France that he visited frequently in the 1920s. The canvas is…