Millais, John Everett (1829-1896) Bridge of Sighs 1858 Etching on ivory chine, laid down on ivory wove paper, 17.6 × 12.5 cm Art Institute of Chicago, Chicago The etching was made as an illustration to Thomas Hood’s poem ‘The Bridge of Sighs’,…
Maar, Dora (1907-1997) Étude de mode, femme en porte en treillis (Fashion Study, Woman in Lattice Doorway) 1934–1940 Gelatin silver print, 30.4 × 24.2 cm Art Institute of Chicago, Chicago
Hals, Frans (c.1582-1666) Portrait of a Lady 1627 Oil on canvas, 86.5 x 70.7 cm Art Institute of Chicago, Chicago Frans Hals, one of the most celebrated portrait painters of the 17th century, demonstrated here his signature verve in inscribing decoration…
Boudin, Eugène (1824-1898) Tempête en approche (Approaching Storm) 1864 Oil on cradled panel, 36.3 × 57.9 cm Art Institute of Chicago, Chicago This painting by Eugène Boudin, a Norman painter and Claude Monet’s teacher, exemplifies the artist’s signature style and subject matter…
Veronese, Paolo (1528-1588) Il martirio e l’ultima comunione di Santa Lucia (The Martyrdom and Last Communion of Saint Lucy) 1585–1586 Oil on canvas, 139.7 x 173.4 cm National Gallery of Art, Washington While exposing her breast to the thrust of the dagger…
Signorelli, Luca (c.1445-1523) Sposalizio della Vergine (The Marriage of the Virgin) c.1490–1491 Tempera on panel, 21.6 x 48 cm National Gallery of Art, Washington
Redon, Odilon (1840-1916) Pandore (Pandora) 1910–1912 Oil on canvas, 143.5 x 62.9 cm National Gallery of Art, Washington A pale-skinned young woman with copper-orange hair, wearing a turquoise-blue robe, stands in a pastel-infused landscape in this stylized, vertical painting. The woman fills…
Piero della Francesca (c.1416-1492) Sant’Apollonia (Saint Apollonia) c.1455–1460 Tempera on poplar panel, 38.8 x 28 cm National Gallery of Art, Washington Attributed to Piero della Francesca. Shown from the knees up, a pale-skinned woman in front of a gold background wears a…