Degas, Edgar (1834-1917) Conversation à l’hippodrome (Conversation at the Racetrack) 1882–1885 Pastel on tan paper, 69.53 x 70.01 cm Milwaukee Art Museum, Milwaukee
Delacroix, Eugène (1798-1863) Méphistophélès chez Marthe (Mephistopheles at Martha’s House, from Goethe’s Faust) 19th Century Lithograph on paper, 45.6 x 29.6 cm Worcester Art Museum, Worcester See also: • Goethe, Johann Wolfgang von (1749-1832)
Watteau, Antoine (1684-1721) Signature du contrat de mariage et danse à la campagne (Marriage Contract and Country Dance) c.1711 Oil on canvas, 47 × 55 cm Museo del Prado, Madrid Known as a painter of “fêtes galantes”, Watteau combines a depiction of…
Watteau, Antoine (1684-1721) La Proposition embarrassante (Embarrasing Proposal) 1715–1716 Oil on canvas, 65 × 84.5 cm Hermitage Museum, Saint Petersburg Watteau was the first 18th-century French artist to create something totally new in his work, something previously unknown, in despite of the…
Watteau, Antoine (1684-1721) La Boudeuse (The Capricious Girl) c.1718 Oil on canvas, 42 × 34 cm Hermitage Museum, Saint Petersburg When Watteau was elected a member of the French Academy of Arts, a term was specially invented to describe the kind of…
Watteau, Antoine (1684-1721) Acteurs de la Comedie-Francaise (Actors of the Comédie-Française) 1711–1712 Oil on panel, 20 × 25 cm Hermitage Museum, Saint Petersburg Watteau was very fond of the play Les trois cousines (The Three Cousins) by Florent Carton, known as Dancourt,…
Gainsborough, Thomas (1727-1788) Portrait of the Artist’s Daughters c.1763–1764 Oil on canvas, 127.3 × 101.7 cm Worcester Art Museum, Worcester See also: • Gainsborough, Margaret (1751-1820) | Gainsborough, Mary (1750-1826)
Courbet, Gustave (1819-1877) Juliette Courbet 1860 Oil on canvas, 127 x 100.3 cm Saint Louis Art Museum, St. Louis Gustave Courbet took a modern approach to portraiture in this seemingly unfinished painting. He depicted his sister Juliette in a frank and…
Watteau, Antoine (1684-1721) La Rêveuse (The Dreamer) 1712–1714 Oil on panel, 23.2 × 17 cm Art Institute of Chicago, Chicago The traditional title of this small painting, The Dreamer, derives from an engraving made after it, which was intended for sale to…