Caravaggio (1571-1610) Santa Caterina d’Alessandria (Saint Catherine of Alexandria) c.1598–1599 Oil on canvas, 173 x 133 cm Museo Thyssen-Bornemisza, Madrid This painting was almost certainly commissioned in Rome by Caravaggio’s first patron, Cardinal Francesco Maria del Monte. Captured in a strikingly…
Renoir, Pierre-Auguste (1841–1919) La Parisienne (La Dame en Bleu, The Blue Lady) 1874 Oil on canvas, 163.2 x 108.3 cm National Museum Wales, Cardiff See also: • Henriot, Henriette (1857-1944)
Caravaggio (1571-1610) Madonna dei Palafrenieri 1605–1606 Oil on canvas, 292 x 211 cm Galleria Borghese, Roma
Bazille, Frédéric (1841-1870) Les lauriers roses (The Terrace at Méric) 1867 Oil on canvas, 55.2 x 91.4 cm Cincinnati Art Museum, Cincinnati See also: • Castelnau-le-Lez (France) | Des Hours, Thérèse
Bazille, Frédéric (1841-1870) Vue de village (View of the Village) 1868 Oil on canvas, 137.5 x 85.5 cm Musée Fabre, Montpellier Produced in Montpellier on the family property of Mas Méric overlooking the Lez and the village of Castelnau, the Village View…
Bazille, Frédéric (1841-1870) La Négresse aux pivoines (African Woman with Peonies) 1870 Oil on canvas 60.50 x 75.40 cm Musée Fabre, Montpellier
Bazille, Frédéric (1841-1870) La robe rose (The Pink Dress) 1864 Oil on canvas, 110 x 148 cm Musée d’Orsay, Paris See also: • Des Hours, Thérèse
Bazille, Frédéric (1841-1870) La Toilette 1870 Oil on canvas, 130 x 128 cm Musée Fabre, Montpellier Inspired by the orientalist imagination as well as the biblical universe, the painting depicts a modern Bathsheba being prepared by two servants for nuptial union. This…
Renoir, Pierre-Auguste (1841–1919) La loge (The Theater Box) 1874 Oil on canvas, 80 x 63.5 cm Courtauld Institute of Art, London Pierre-Auguste Renoir showed La Loge (The Theatre Box) at the first Impressionist group exhibition in Paris in 1874. The painting was designed make an impact there.…
Renoir, Pierre-Auguste (1841-1919) Romaine Lacaux 1864 Oil on fabric, 81.3 x 65 cm Cleveland Museum of Art, Cleveland This painting may be Renoir‘s earliest signed canvas. Its sensitive display of color and light communicates an ideal of delicate, youthful beauty. The luminous…