Raffaello (1483-1520) Il sogno del cavaliere (Vision of a Knight) c.1504 Oil on poplar, 17.1 x 17.3 cm National Gallery, London This painting was inspired by a passage in the Punica, an epic poem by Silius Italicus (AD 25–101) recounting the…
Raffaello (1483-1520) Madonna Terrranuova (Mary with the Child, John the Baptist and a Holy Boy) c.1505 Oil on poplar wood, diameter 88.7 cm Gemäldegalerie, Berlin SIGNATURE / INSCRIPTION: Ribbon (EC)CE AGNIVS (DE) Of the five paintings of the Virgin Mary by…
Raffaello (1483-1520) La Velata (Woman with a Veil) c.1512–1515 Oil on canvas, 82 x 60.5 cm Galleria Palatina, Firenze The veil over the hair, from which the name of this splendid work by Raphael is derived, indicates that the woman is…
Raffaello (1483-1520) L’annunciazione (The Annunciation) 1502–1504 Tempera grassa on wood transferred to canvas, 39 x 190 cm Pinacoteca Vaticana, Vaticano This painting is the left part of the predella of the Oddi Altarpiece. The Crowning of the Virgin was painted for the altar…
Raffaello (1483-1520) San Giorgio e il drago (Saint George and the Dragon) c.1506 Oil on panel, 28.5 x 21.5 cm National Gallery of Art, Washington Raphael was born in Urbino, a central Italian duchy noted for its elegant gentility and Renaissance scholarship.…
Raffaello (1483-1520) La dama col liocorno (Lady with a Unicorn) c.1505–1506 Oil on panel transferred to canvas, 67 x 56 cm Galleria Borghese, Roma The young woman depicted is a Florentine girl, as can be seen from the precious fashionable dress of…
Cézanne, Paul (1839-1906) Madame Cézanne dans une robe rouge (Mme Cézanne in a Red Dress) 1888–1890 Oil on canvas, 116.5 x 89.5 cm Metropolitan Museum of Art, New York Of the four portraits that Cézanne painted of his wife wearing a…
Cézanne, Paul (1839-1906) Madame Cézanne dans la serre (Mme Cézanne in the Conservatory) 1891 Oil on canvas, 92.1 x 73 cm Metropolitan Museum of Art, New York Hortense Fiquet, a former artist’s model, met Cézanne about 1869; they had a son in…
Tiziano (c.1488-1576) Ecce Homo 1543 Oil on canvas, 242 x 361 cm Kunsthistorisches Museum, Vienna Signature: Referenced bottom center of the note: TITIANVS EQVES CES F. 1543 The scene was rarely depicted in Italy, but is probably explained by the Flemish origin…