Cassatt, Mary (1844-1926) The Bath 1891 Soft-ground etching with aquatint and drypoint on paper, 31.43 x 24.44 cm National Museum of Women in the Arts, Washington In 1890, the Ecole des Beaux-Arts in Paris held a large-scale exhibition of Japanese prints that…
Cassatt, Mary (1844-1926) Maternal Caress 1890–1891 Drypoint, aquatint and softground etching on paper, 36.83 x 26.82 cm National Museum of Women in the Arts, Washington
Bacon, Francis (1909-1992) Study for a Portrait 1952 Oil paint and sand on canvas, 66.1 × 56.1 × 1.8 cm Tate Britain, London © Estate of Francis Bacon. All Rights Reserved, DACS 2025 Francis Bacon painted directly onto the raw, unprimed side of the…
Bonnard, Pierre (1867-1947) Autoportrait (Self-portrait) 1889 Tempera on canvas, 21.5 x 15.8 cm Private collection
Boucher, François (1703-1770) Diane sortant du bain (Diana leaving her Bath) 1742 Oil on canvas, 57 x 73 cm Musée du Louvre, Paris
Warhol, Andy (1928-1987) Self-Portrait 1966 Acrylic, silkscreen ink, and pencil on linen, 57.2 × 57.2 cm Art Institute of Chicago, Chicago © 2018 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York
Manet, Édouard (1832-1883) Profil de jeune fille (Young girl profile) c.1880 Oil on canvas, 32.7 x 24.7 cm Private collection A towering figure in the second half of the nineteenth century, Édouard Manet was a serious and dedicated artist strongly committed…
Cassatt, Mary (1844-1926) A Goodnight Hug (Mère et Enfant) 1880 Pastel on brown paper laid down on board, 42 x 62.8 cm Private collection Executed in 1880, A Goodnight Hug was one of Cassatt’s eleven entries, four oils and seven pastels,…
Schiele, Egon (1890-1918) Standing Female in Shirt with Black Stockings and Red Scarf (Stehendes Mädchen im Hemd, mit schwarzen Strümpfen und rotem Tuch) 1911 Gouache, watercolor and pencil on paper, 55.3 x 38.1 cm Private collection Schiele’s early watercolors and drawings…
Renoir, Pierre-Auguste (1841-1919) Gabrielle c.1890 Pastel on paper, 55.4 x 46.3 cm Private collection Portraiture was the dominant form of Renoir’s oeuvre during the first few of decades of his career. In the 1860s and 1870s he accepted numerous paid commissions…