Millais, John Everett (1829-1896) Bridge of Sighs 1858 Etching on ivory chine, laid down on ivory wove paper, 17.6 × 12.5 cm Art Institute of Chicago, Chicago The etching was made as an illustration to Thomas Hood’s poem ‘The Bridge of Sighs’,…
Gainsborough, Thomas (1727-1788) A Woodman Seated on a Bundle of Faggots 1787 Chalk with touches of gouache on buff laid paper, 48.5 × 29.6 cm Art Institute of Chicago, Chicago
De Morgan, Evelyn (1855-1919) The Angel of Death 1885 Black pastel and opaque gold paint, over traces of black chalk, on brown wove paper, 46.5 x 38 cm Art Institute of Chicago, Chicago
De Morgan, William (1839-1917) Vase c.1885 Tin-glazed earthenware, polychrome decorated, 54.3 × 27.7 cm Art Institute of Chicago, Chicago
De Morgan, William (1839-1917) Vase c.1890–1900 Earthenware with lustre decoration, 23.3 × 15.2 cm Art Institute of Chicago, Chicago
Constable, John (1776-1837) The Lock (Landscape) c.1820–1825 Oil on canvas, 71.5 x 92 cm Art Institute of Chicago, Chicago Attributed to John Constable.
Blake, William (1757-1827) The Day of Judgment 1805 Pen, ink and watercolor, over graphite, on paper, laid down on tan board, 27.4 × 22.2 cm Art Institute of Chicago, Chicago
Alma-Tadema, Lawrence (1836-1912) The Bowman (frontispiece from The Epic of Kings, Stories Retold from Firdusi) 1882 Etching in black on cream wove paper, 18.7 × 13.7 cm Art Institute of Chicago, Chicago This etching is one of two prints that Sir Lawrence…
Rossetti, Dante Gabriel (1828-1882) Desdemona’s Death-Song 1878–1880 Black chalk over traces of red chalk on two joined sheets of blue-green paper, 127 x 101.6 cm National Gallery of Art, Washington See also: • Shakespeare, William (1564-1616)
Moore, Henry (1898-1986) Sketch-Model for Reclining Figure 1946 Terracotta, 8.3 x 16.8 x 7.2 cm National Gallery of Art, Washington