Manet, Julie (1878-1966) Femme assise au Bois de Boulogne (Seated woman in the Bois de Boulogne) 1893–1894 Watercolor on paper, 23 x 36 cm British Museum, London The watercolour was done by Julie Manet as a teenager at the same time…
Sisley, Alfred (1839-1899) La briqueterie (The Brickfield) 1880 Oil on canvas, 37 x 56 cm Kröller-Müller Museum, Otterlo
Reynolds, Joshua (1723-1792) David Garrick between Tragedy and Comedy 1760–1761 Oil on canvas, 148 x 183 cm Private Collection See also: • Garrick, David (1717-1779)
Sisley, Alfred (1839-1899) L’église de Moret, le soir (The Church of Moret, Evening) 1894 Oil on canvas, 101 x 82 cm Petit Palais, Paris See also: • Moret-sur-Loing (France)
Rubens, Peter Paul (1577-1640) The Union of England and Scotland (Charles I as the Prince of Wales) 1633–1634 Oil on gessoed oak panel, 84.46 x 65.72 cm Minneapolis Institute of Art, Minneapolis See also: • Charles I (England)
(1600–1649) King of England (1625–1649) King of Ireland (1625–1649) King of Scotland (1625–1649) Charles I in Art: Rubens, Peter Paul (1577-1640) The Apotheosis of James I c.1628–1630 Tate Britain, London Rubens, Peter Paul (1577-1640) The Union of England and Scotland…
Derain, André (1880-1954) La Cathédrale Saint-Paul vue de la Tamise (St Paul’s Cathedral seen from the Thames) 1906 Oil on canvas, 99.7 x 81.92 cm Minneapolis Institute of Art, Minneapolis See also: • St Paul’s Cathedral (London)
Manet, Édouard (1832-1883) Coin d’un café-concert (Corner of a Café-Concert) probably 1878–1880 Oil on canvas, 97.1 x 77.5 cm National Gallery, London In the middle of the nineteenth century the café-concert became extremely popular in France, and Parisian establishments such as the…
Manet, Édouard (1832-1883) La Femme au chat (Woman with a Cat) c.1880 Oil on canvas, 92.1 x 73 cm Tate Britain, London This unfinished portrait is of Manet‘s wife. It is one of his later works, painted a few years before his…
Manet, Édouard (1832-1883) Eva Gonzalès 1870 Oil on canvas, 191.1 x 133.4 cm National Gallery, London Eva Gonzalès (1849–1883), Manet’s only formal pupil, was a successful artist and a regular exhibitor at the Salon. This portrait was probably started in February…