Constable, John (1776-1837) Full-Scale Study for The Hay Wain c.1821 Oil on canvas, 137 × 188 cm Victoria and Albert Museum, London Constable often made full-scale studies for large exhibition paintings. He used a broad painting style to establish the general balance…
Constable, John (1776-1837) Study of the Trunk of an Elm Tree c.1821 Oil on paper, 30.6 × 24.8 cm Victoria and Albert Museum, London Constable probably painted this remarkable sketch in Hampstead. It is so realistic that it has an almost…
(1776–1837) The artist’s works: Houses on a Riverbank c.1794 Princeton University Art Museum, Princeton Study of a Female Nude 1811 Wadsworth Atheneum, Hartford Wivenhoe Park, Essex 1816 National Gallery of Art, Washington A cottage in a cornfield 1817 National Museum Wales, Cardiff The White…
Seurat, Georges (1859-1891) Étude pour La Manche à Gravelines, un soir (Study for The Channel at Gravelines, Evening) 1890 Crayon on paper, 23.8 × 31.5 cm Victoria and Albert Museum, London Drawing in conte crayon of two anchors propped on their sides.…
Moore, Henry (1898-1986) Working Model for Draped Seated Woman: Figure on Steps 1956 Hollow bronze cast, 64.01 × 72.39 × 67.63 cm Milwaukee Art Museum, Milwaukee
Turner, Joseph Mallord William (1775-1851) The Banks of the Loire c.1829 Oil on canvas, 71.3 x 53.3 cm Worcester Art Museum, Worcester
Monet, Claude (1840-1926) Waterloo Bridge 1903 Oil on canvas, 65.4 x 92.9 cm Worcester Art Museum, Worcester Compare: Monet, Claude (1840-1926) Pont de Waterloo, effet de brouillard 1903 Hermitage Museum, Saint Petersburg Monet, Claude (1840-1926) Waterloo Bridge, le soleil dans le brouillard 1903…
