Cimabue (1240-1302) Maestà con due angeli (The Virgin and Child with Two Angels) c.1280–1285 Egg tempera on wood, 25.6 × 20.8 cm National Gallery, London This is one of the earliest paintings in the National Gallery’s collection and a rare surviving…
Rossetti, Dante Gabriel (1828-1882) Paolo and Francesca da Rimini 1855 Watercolour on paper, 25.4 cm x 44.9 cm Tate Britain, London The tragic story of the adulterous lovers, Paolo and Francesca, is recounted in Canto V of Dante‘s Inferno, and was a…
Rossetti, Dante Gabriel (1828-1882) Paolo and Francesca da Rimini 1867 Watercolour and gouache on paper, 43.7 cm x 36.1 cm National Gallery of Victoria, Melbourne Compare: Rossetti, Dante Gabriel (1828-1882) Paolo and Francesca da Rimini 1855 Tate Britain, London See also:…
Millais, John Everett (1829-1896) Leisure Hours 1864 Oil on canvas, 88.9 × 118.1 cm Detroit Institute of Arts, Detroit Anne and Marion Pender were the daughters of Sir John Pender, a wealthy textile merchant from Glasgow. The girls’ identical red velvet…
Turner, Joseph Mallord William (1775-1851) The Leader Sea Piece 1809 Etching and mezzotint printed in brown ink on wove paper, 17.5 × 25.7 cm Detroit Institute of Arts, Detroit
(1593-c.1653) The artist’s works: Danae c.1612 Saint Louis Art Museum, St. Louis Autoritratto come martire c.1615 Private collection Autoritratto come Santa Caterina d’Alessandria c.1615–1617 National Gallery, London Autoritratto come suonatrice di liuto c.1615–1618 Wadsworth Atheneum, Hartford Giuditta e la sua ancella c.1618–1619 Galleria…
Correggio (c.1489-1534) Ecce Homo (Christ presented to the People) c.1525–1530 Oil on poplar, 99.7 x 80 cm National Gallery, London Correggio shows Christ bound and crowned with thorns at the moment when he is condemned to be crucified by Pontius Pilate.…
Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1531 Oil on wood, 74.2 x 57.2 cm National Gallery, London The infant Christ turns to look back at his mother as he places a ring on Saint Catherine’s finger.…
Parmigianino (1503-1540) Ritratto di un collezionista (Portrait of a Collector) c.1523 Oil on wood, 89.5 x 63.8 cm National Gallery, London When listed in the inventory of Ranuccio Farnese in 1587 this picture was titled Portrait of a Priest, but there…
Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…