Reynolds, Joshua (1723-1792) Self Portrait of the Artist as a Deaf Man c.1775 Oil on canvas, 74.93 x 60.96 cm Buffalo AKG Art Museum, Buffalo Compare: Reynolds, Joshua (1723-1792) Self-Portrait as a Deaf Man c.1775 Tate Britain, London
Moore, Henry (1898-1986) Reclining Figure 1935–1936 Elm wood, 48.26 x 93.34 x 44.45 cm Buffalo AKG Art Museum, Buffalo In 1924 Henry Moore began exploring the theme of the reclining figure, and he eventually began seeing parallels between the motif and…
Sisley, Alfred (1839-1899) Rue de village à Marlotte (Village Street in Marlotte) 1866 Oil on canvas, 64.77 x 91.44 cm Buffalo AKG Art Museum, Buffalo Although Alfred Sisley is considered one of the key figures of Impressionism, he remained somewhat of…
Reynolds, Joshua (1723-1792) Cupid as Link Boy 1774 Oil on canvas, 76.2 x 63.5 cm Buffalo AKG Art Museum, Buffalo Joshua Reynolds’s portrait transforms a sight common to the streets of eighteenth-century London—a child worker lighting torches—into an allegory. “Link boys,”…
Reynolds, Joshua (1723-1792) A Caricature Group (Sir Charles Turner, Mr. Cook, Mr. John Woodyeare, and Rev. Dr. William Drake) c.1751 Oil on canvas, 62.9 x 48.3 cm Rhode Island School of Design, Providence
Gainsborough, Thomas (1727-1788) Portrait of a Woman c.1760 Oil on canvas, 75.6 x 63.5 cm Rhode Island School of Design, Providence
Blake, William (1757-1827) Baptism of Christ c.1799 Tempera over pen and ink on canvas, 32.4 x 49.2 cm Rhode Island School of Design, Providence
Carracci, Annibale (1560-1609) Tentazioni di sant’Antonio Abate (Christ appearing to Saint Anthony Abbot during his Temptation) c.1598 Oil on copper, 49.5 x 34.4 cm National Gallery, London A bearded man in a hair robe is being violently threatened by a horde…
Sisley, Alfred (1839-1899) La Tamise à Hampton Court (The Thames at Hampton Court) 1874 Oil on canvas, 34.93 × 59.69 cm Virginia Museum of Fine Arts, Richmond See also: After a short visit to South Kensington, England, in July 1874, Sisley…
Cézanne, Paul (1839-1906) Les Grandes Baigneuses (Bathers) c.1894–1905 Oil on canvas, 127.2 x 196.1 cm National Gallery, London Around 200 of Cézanne’s works depict male and female nude bathers, either singly or in groups, in a landscape. The earliest dates from…