Ensor, James (1860-1949) Le coq mort (The Dead Rooster) 1894 Oil on canvas, 80 x 100 cm Kunsthalle Mannheim, Mannheim
Le coq mort (1894)
Tag: Ensor
Les péchés capitaux dominés par la mort (1904)
Ensor, James (1860-1949) Les péchés capitaux dominés par la mort (The deadly sins dominated by death) 1904 Etching on paper, 16 x 24.8 cm Kröller-Müller Museum, Otterlo
Nature morte au pot bleu (1890)
Ensor, James (1860-1949) Nature morte au pot bleu (Still life with blue jug) 1890 Oil on panel, 38 x 46 cm Kröller-Müller Museum, Otterlo
Triomphe romain (1889)
Ensor, James (1860-1949) Triomphe romain (Roman Triumph) 1889 Etching on paper, 28.3 x 39.8 cm Kröller-Müller Museum, Otterlo
Le Combat (c.1925)
Ensor, James (1860-1949) Le Combat (The Fight) c.1925 Oil on canvas, 60.5 x 50 cm Kröller-Müller Museum, Otterlo
Le Désespoir de Pierrot (c.1910)
Ensor, James (1860-1949) Le Désespoir de Pierrot (Pierrot’s Despair) c.1910 Oil on canvas, 66.3 x 84.2 cm Kröller-Müller Museum, Otterlo
Nature morte dans l’atelier (1889)
Ensor, James (1860-1949) Nature morte dans l’atelier (Still life in the studio) 1889 Oil on canvas, 83 x 113.5 cm Neue Pinakothek, Munich James Sidney Ensor‘s “Still Life” is more than the usual realistic studio study that is so often encountered…
L’entrée du Christ à Bruxelles (1888-1889)
Ensor, James (1860-1949) L’entrée du Christ à Bruxelles (Christ’s Entry into Brussels) 1888–1889 Oil on canvas, 252.6 × 431 cm Getty Center, Los Angeles See also: • Brussels (Belgium)
Squelettes voulant se chauffer (1889)
Ensor, James (1860-1949) Squelettes voulant se chauffer (Skeletons Wanting to Warm Themselves) 1889 Oil on canvas, 74.8 x 60 cm Kimbell Art Museum, Fort Worth James Ensor was one of the most original painters of the late nineteenth century. Populated with…
Au conservatoire (c.1893)
Ensor, James (1860-1949) Au conservatoire (At the Conservatory) c.1893 Oil on canvas mounted on panel, 56.5 x 71.5 cm Musée d’Orsay, Paris