Cézanne, Paul (1839-1906) L’Estaque, effet du soir (L’Estaque, Evening Effect) 3rd quarter of the 19th Century Oil on canvas, 43.5 × 59.5 cm Musée du Louvre, Paris See also: • L’Estaque (France)
Legros, Alphonse (1837-1911) Soirée à la fenêtre (Evening at the Window) 1884 Etching and drypoint Cleveland Museum of Art, Cleveland Alphonse Legros taught for nearly two decades as a professor of fine arts at the Slade School in London and was…
Daubigny, Charles-François (1817-1878) Péniche sur l’Oise, le soir, Île de Vaux (Barge on the Oise, evening, Île de Vaux) 1870 Oil on canvas, 46 × 81 cm National Gallery of Victoria, Melbourne See also: • Auvers-sur-Oise (France)
Whistler, James Abbott McNeill (1834-1903) Nocturne: Blue and Gold—Southampton Water 1872 Oil on canvas, 51 × 76.7 cm Art Institute of Chicago, Chicago In the early 1870s James McNeill Whistler took a radical step toward abstraction with his Nocturnes series. In…
Van Gogh, Vincent (1853-1890) Evening Landscape 1885 Oil on canvas mounted on cardboard, 35 x 43 cm Museo Thyssen-Bornemisza, Madrid In April 1885, while concentrating on the series devoted to the Potato Eaters, a tribute to the country folk of Brabant,…
Van Gogh, Vincent (1853-1890) The Stevedores in Arles 1888 Oil on canvas, 54 x 65 cm Museo Thyssen-Bornemisza, Madrid When Vincent van Gogh arrived in Arles in February 1888 seeking the luminous atmosphere of the French Midi, he eschewed pointillist and…
Signac, Paul (1863-1935) Concarneau, calme du soir, Allegro Maestoso (Evening Calm, Concarneau) 1891 Oil on canvas, 64.8 x 81.3 cm Metropolitan Museum of Art, New York As Georges Seurat’s most ardent follower, Paul Signac steadfastly promoted the principles of Neo-Impressionism all his…