Parmigianino (1503-1540) Ritratto di un dignitario (Portrait of a dignitary) c.1535 Oil on poplar, 117.5 × 97.7 cm Kunsthistorisches Museum, Vienna The grandiose portrayal of the menacingly close man with his head turned to the side oscillates between violence and passivity, between…
Parmigianino (1503-1540) Ritratto di giovane donna (Portrait of a young lady) c.1530 Oil on poplar, 48.5 × 46.5 cm Kunsthistorisches Museum, Vienna
Parmigianino (1503-1540) Autoritratto entro uno specchio convesso (Self-portrait in a Convex Mirror) c.1523–1524 Oil on panel, diameter 24.4 cm Kunsthistorisches Museum, Vienna After his arrival in Rome, the young artist gave his self-portrait painted on a curved piece of wood to…
Correggio (c.1489-1534) Salvator Mundi c.1515 Oil on panel, 42.6 x 33.3 cm National Gallery of Art, Washington
Millet, Jean-François (1814-1875) Portrait d’homme (Portrait of a Man) c.1845 Oil on canvas, 40.6 x 32.3 cm National Gallery of Art, Washington
Millais, John Everett (1829-1896) The Return of the Dove to the Ark 1851 Oil on canvas, 88.2 x 54.9 cm Ashmolean Museum, Oxford
Millais, John Everett (1829-1896) Mariana 1851 Oil on mahogany, 59.7 x 49.5 cm Tate Britain, London When it was first exhibited at the Royal Academy in 1851, this picture was accompanied by the following lines from Tennyson‘s Mariana (1830): She only said,…
Rossetti, Dante Gabriel (1828-1882) Bocca Baciata (Lips That Have Been Kissed) 1859 Oil on panel, 32.1 x 27 cm Museum of Fine Arts, Boston Fanny Cornforth (1835-1909), born Sarah Cox in Sussex, England, modelled frequently for Rossetti, becoming not only his…
Rossetti, Dante Gabriel (1828-1882) Proserpine (Proserpina) 1874 Oil on canvas, 125.1 cm × 61 cm Tate Britain, London Rossetti explained the subject of Proserpine in a letter to W.A. Turner, who bought a version of the picture in 1877: The figure…
Rossetti, Dante Gabriel (1828-1882) Ecce Ancilla Domini (The Annunciation) 1849–1850 Oil on canvas, 72.4 × 41.9 cm Tate Britain, London Inspired by the work of early Renaissance artists such as Botticelli (1445-1510) and Fra Angelico (1387-1455), Rossetti sought in this work…