Caravaggio (1571-1610) Amor Vincit Omnia (Love Conquers All / Cupid as Victor) 1601–1602 Oil on canvas, 156.5 x 113.3 cm Gemäldegalerie, Berlin Around 1592/93, Caravaggio came to Rome from Lombardy, bringing with him formative impressions of the works of Savoldo, Lotto, Romanino…
Caravaggio (1571-1610) San Francesco in meditazione (Saint Francis in Meditation) 1606–1607 Oil on canvas, 123 x 92.5 cm Palazzo Barberini, Roma In a gloomy and arid scenery, Saint Francis wraps a skull with his hands. He is meditating about death, considered to…
Caravaggio (1571-1610) Narciso (Narcissus) 1597–1599 Oil on canvas, 113.3 x 94 cm Palazzo Barberini, Roma The classical myth of Narcissus had been frequently represented since antiquity, but the version by Caravaggio is distinguished by its unusual compositional scheme, conceived rather like a…
Caravaggio (1571-1610) Giuditta e Oloferne (Judith Beheading Holofernes) c.1599 Oil on canvas, 145 x 195 cm Palazzo Barberini, Roma Three characters and a red cloth in the background: few elements, capable of orchestrating a true theater of opposites. Darkness and light,…
Caravaggio (1571-1610) Estasi di San Francesco (Francis of Assisi in Ecstasy) c.1595–1596 Oil on canvas, 94 x 129.5 cm Wadsworth Atheneum, Hartford Curatorial Narrative: Caravaggio revolutionized the painting of his era through a theatrical use of light, dramatic narrative, and the naturalistic…
Caravaggio (1571-1610) Conversione di San Paolo (Conversion of Saint Paul) 1600–1601 Oil on canvas, 230 x 175 cm Cappella Cerasi, Santa Maria del Popolo, Roma Compare: Caravaggio (1571-1610) Conversione di San Paolo 1600 Odescalchi Balbi Collection, Roma
Caravaggio (1571-1610) San Matteo e l’angelo (Inspiration of Saint Matthew) 1602 Oil on canvas 296.5 x 195 cm Cappella Contarelli, San Luigi dei Francesi, Roma
Bouguereau, William-Adolphe (1825-1905) La Vierge aux anges (The Virgin with Angels / Song of the Angels) 1881 Oil on canvas, 213.4 x 152.4 cm Forest Lawn Museum, Glendale
Bazille, Frédéric (1841-1870) Pêcheur au filet (Fisherman with a net) 1868 Oil on canvas, 134 x 83 cm Private collection
Bazille, Frédéric (1841-1870) Mauresque (Woman in a Moorish Costume) 1869 Oil on canvas, 99.7 x 59 cm Norton Simon Museum, Pasadena Lise Tréhot, Renoir’s first mistress, model, and muse, is here depicted with quiet eroticism by that artist’s friend and colleague, Bazille.…