Tiziano (c.1488-1576) Adorazione dei Magi (Adoration of the Magi) c.1557–1560 Oil on canvas, 223 × 120 cm Pinacoteca Ambrosiana, Milano Painted around 1559–60, the painting has much in common with Titian’s mature works. The rendering of the sky is interesting, for the…
Tiziano (c.1488-1576) Uomo in armatura (Man in Armour) c.1530 Oil on canvas, 65 x 58 cm Pinacoteca Ambrosiana, Milano In his Musaeum Federico Borromeo writes that “Titian would have wanted to paint his father like this, armour-clad, to celebrate in a playful…
Renoir, Pierre-Auguste (1841-1919) Jeune femme en blanc lisant (Young Woman in White Reading) 1873 Oil on canvas, 35 x 27 cm National Gallery of Ireland, Dublin Renoir began his career as a decorative artist, painting designs on porcelain and fabric. He proceeded…
Bellini, Giovanni (c.1430-1516) Madonna col Bambino (Madonna and Child) c.1510 Oil on panel, 94.2 x 73 cm High Museum of Art, Atlanta An innovative artist whose influence resonated for generations, Giovanni Bellini was the foremost painter of the early Renaissance in Venice,…
Renoir, Pierre-Auguste (1841-1919) Baigneuse aux cheveux blonds dénoués (Bather with loose blonde hair) c.1903 Oil on canvas, 92.7 × 73.4 cm Österreichische Galerie Belvedere, Vienna
Renoir, Pierre-Auguste (1841-1919) Après le bain (After the bath) 1876 Oil on canvas, 92.4 × 73.2 cm Österreichische Galerie Belvedere, Vienna The woman’s gaze is dreamily directed into space. She seems to pause as she dries herself and feels unobserved. Lively brushstrokes…
Renoir, Pierre-Auguste (1841-1919) Mlle. Jeanne Samary c.1878 Pastel, 69.7 x 47.7 cm Cincinnati Art Museum, Cincinnati See also: • Samary, Jeanne (1857-1890)
Caillebotte, Gustave (1848-1894) Portrait de Madame X (Portrait of Madame X) 1878 Pastel, 63 x 50 cm Musée Fabre, Montpellier A central figure in Impressionism, Caillebotte trained in 1871 in the very academic studio of Léon Bonnat. While he passed the entrance…
Redon, Odilon (1840-1916) Orphée (Orpheus) c.1910 Oil on cardboard, 57 x 55 cm Musée Fabre, Montpellier This painting is one of the exceptional donations which, over the last ten years, have enriched the collections of the Fabre Museum. Considered by many to…
Zurbarán, Francisco de (1598-1664) Santa Águeda (Saint Agatha) c.1635–1640 Oil on canvas, 129 × 61 cm Musée Fabre, Montpellier The prefect Quintianus wants to marry the beautiful and noble Sicilian Agathe; having dedicated her life to Christ, she refuses. So he makes…