Tag: eyebrow

Graziella (1896)

Renoir, Pierre-Auguste (1841-1919) Graziella 1896 Oil on canvas, 65.4 × 54 cm Detroit Institute of Arts, Detroit

Santa Maria Maddalena (c.1620)

Gentileschi, Artemisia (1593-c.1653) Santa Maria Maddalena (St. Mary Magdalene) c.1620 Oil on canvas, 146.5 x 108 cm Galleria Palatina, Palazzo Pitti, Firenze Mary Magdalen was a much-loved subject both by painters and the public because she represented the ideal model of the…

La Schiava turca (c.1532)

Parmigianino (1503-1540) Ritratto di gentildonna detto La Schiava turca (Portrait of a Gentlewoman known as the Turkish slave) c.1532 Oil on panel, 68 x 53 cm Galleria Nazionale, Parma

Ecce Homo (c.1525-1530)

Correggio (c.1489-1534) Ecce Homo (Christ presented to the People) c.1525–1530 Oil on poplar, 99.7 x 80 cm National Gallery, London Correggio shows Christ bound and crowned with thorns at the moment when he is condemned to be crucified by Pontius Pilate.…

Ritratto di un collezionista (c.1523)

Parmigianino (1503-1540) Ritratto di un collezionista (Portrait of a Collector) c.1523 Oil on wood, 89.5 x 63.8 cm National Gallery, London When listed in the inventory of Ranuccio Farnese in 1587 this picture was titled Portrait of a Priest, but there…

Visione di san Girolamo (1526-1527)

Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…

Uomo che sospende la lettura (1525-1526)

Parmigianino (1503-1540) Uomo che sospende la lettura (Portrait of a man with a book) 1525–1526 Oil on poplar, 67.5 × 53 cm Kunsthistorisches Museum, Vienna The stranger has paused while reading and now seems to be indulging in his own thoughts. His…

Ritratto di un dignitario (c.1535)

Parmigianino (1503-1540) Ritratto di un dignitario (Portrait of a dignitary) c.1535 Oil on poplar, 117.5 × 97.7 cm Kunsthistorisches Museum, Vienna The grandiose portrayal of the menacingly close man with his head turned to the side oscillates between violence and passivity, between…