Carracci, Annibale (1560-1609) Testa d’uomo di profilo (Head of a Man in Profile) c.1588–1595 Oil on canvas, 44.8 x 32.1 cm Royal Collection, Windsor Castle This vivid head is precisely the type of study from everyday life practised so passionately by…
Carracci, Annibale (1560-1609) Susanna e i vecchioni (Susanna and the Elders) 1604 Oil on panel, 56.8 x 86.1 cm Galleria Doria Pamphilj, Roma This is the “Casta Susanna with the two old men” on a panel by Annibale Carracci described by…
Carracci, Annibale (1560-1609) Piccola macelleria (The Butcher’s Shop) c.1582 Oil on canvas, 59.7 x 71 cm Kimbell Art Museum, Fort Worth Around the time that he painted The Butcher’s Shop, in about 1582, Annibale Carracci joined his older cousin Ludovico and…
Holbein, Hans the Younger (c.1497-1543) Portrait of a young merchant 1541 Oil on oak, 46.5 × 34.8 cm Kunsthistorisches Museum, Vienna Holbein created a new style of portraiture that is characterized by monumentality paired with extreme painterly precision. The young businessman…
Holbein, Hans the Younger (c.1497-1543) Jane Seymour c.1536–1537 Oil on oak, 65.5 × 47 cm Kunsthistorisches Museum, Vienna Holbein became court painter to Henry VIII of England in 1536. Among the first of his paintings in the service of the King was…
Rembrandt (1606-1669) Large Self-Portrait 1652 Oil on canvas, 112 × 81.5 cm Kunsthistorisches Museum, Vienna The self-portrait is of particular importance in Rembrandt‘s work. In total, the artist created over sixty painted self-portraits, which document not only his personal circumstances but…
Rubens, Peter Paul (1577-1640) Self-portrait c.1638 Oil on canvas, 110 × 85.5 × 2.4 cm Kunsthistorisches Museum, Vienna Inscription: P.P. RUBINS (!) added later on the left of the column Despite his great successes, Rubens was always ambivalent about court life.…
Van Eyck, Jan (c.1390-1441) Cardinal Niccolò Albergati? c.1438 Oil on oak, 34 × 29.5 cm Kunsthistorisches Museum, Vienna During a peace congress in Arras in 1435, van Eyck made a silverpoint drawing (Dresden), in which he not only recorded the physiognomy…
Tiziano (c.1488-1576) Bravo (The Bravo) c.1515–1520 Oil on canvas, 77 × 66.5 cm Kunsthistorisches Museum, Vienna Titian intensifies the close-up half-figure action picture developed by his teacher Giorgione into concentrated drama. The three-quarter portrait of the vine-leafed protagonist contrasts with the…
Tiziano (c.1488-1576) Madonna delle ciliegie (Cherry Madonna) c.1516–1518 Oil transferred from canvas to wood, 81.6 × 100.2 × 1.1 cm Kunsthistorisches Museum, Vienna On the left St. Joseph, on the right St. John the Boy and St. Zacharias. Similar to the…