Parmigianino (1503-1540) Uomo che sospende la lettura (Portrait of a man with a book) 1525–1526 Oil on poplar, 67.5 × 53 cm Kunsthistorisches Museum, Vienna The stranger has paused while reading and now seems to be indulging in his own thoughts. His…
Parmigianino (1503-1540) Ritratto di un dignitario (Portrait of a dignitary) c.1535 Oil on poplar, 117.5 × 97.7 cm Kunsthistorisches Museum, Vienna The grandiose portrayal of the menacingly close man with his head turned to the side oscillates between violence and passivity, between…
Parmigianino (1503-1540) Ritratto di giovane donna (Portrait of a young lady) c.1530 Oil on poplar, 48.5 × 46.5 cm Kunsthistorisches Museum, Vienna
Parmigianino (1503-1540) Autoritratto entro uno specchio convesso (Self-portrait in a Convex Mirror) c.1523–1524 Oil on panel, diameter 24.4 cm Kunsthistorisches Museum, Vienna After his arrival in Rome, the young artist gave his self-portrait painted on a curved piece of wood to…
Correggio (c.1489-1534) Salvator Mundi c.1515 Oil on panel, 42.6 x 33.3 cm National Gallery of Art, Washington
Millet, Jean-François (1814-1875) Portrait d’homme (Portrait of a Man) c.1845 Oil on canvas, 40.6 x 32.3 cm National Gallery of Art, Washington
Millais, John Everett (1829-1896) The Return of the Dove to the Ark 1851 Oil on canvas, 88.2 x 54.9 cm Ashmolean Museum, Oxford
Millais, John Everett (1829-1896) Mariana 1851 Oil on mahogany, 59.7 x 49.5 cm Tate Britain, London When it was first exhibited at the Royal Academy in 1851, this picture was accompanied by the following lines from Tennyson‘s Mariana (1830): She only said,…
Rossetti, Dante Gabriel (1828-1882) Beata Beatrix c.1864–1870 Oil on canvas, 86.4 x 66 cm Tate Britain, London Dante Gabriel Rossetti identified closely with the medieval poet Dante Alighieri. Rossetti saw his own despair at the death of his wife, the artist and…
Siddal, Elizabeth (1829-1862) Lady Affixing Pennant to a Knight’s Spear c.1856 Watercolour on paper, 13.7 x 13.7 cm Tate Britain, London Elizabeth Siddall began painting in 1852 and made over a hundred works in the following ten years. Her style and subject…