Manet, Édouard (1832-1883) Le balcon (The Balcony) 1868–1869 Oil on canvas, 170 x 125 cm Musée d’Orsay, Paris When Manet painted this piece, scenes of bourgeois life were in vogue. Yet The Balcony went against the conventions of the day. All…
Manet, Édouard (1832-1883) Autoportrait à la palette (Self-Portrait with Palette) 1878–1879 Oil on canvas, 83 x 67 cm Private collection
Manet, Édouard (1832-1883) Autoportrait au chapeau (Self-Portrait with Cap) 1878–1879 Oil on canvas, 95.4 x 63.4 cm Artizon Museum, Tokyo Manet is best known for depicting the manners and customs of modern Paris, but he was also a master of portrait…
Manet, Édouard (1832-1883) La Nymphe surprise (The Surprised Nymph) 1861 Oil on canvas, 144.5 x 112.5 cm Museo de Bellas Artes, Buenos Aires Compare: Manet, Édouard (1832-1883) Étude pour La nymphe surprise 1861 Private collection Manet, Édouard (1832-1883) Nymphe surprise…
Matisse, Henri (1869-1954) Le Madras Rouge (Red Madras Headdress) 1907 Oil on canvas, 100 x 81 cm Barnes Foundation, Philadelphia This striking portrait represents Amelie Matisse, the artist’s wife, who stares down the viewer with a penetrating gaze. Amelie modeled frequently for…
Matisse, Henri (1869-1954) Femme au chapeau (Woman with a Hat) 1905 Oil on canvas, 80.65 x 59.69 cm Museum of Modern Art, San Francisco See also: • Matisse-Parayre, Amélie Noellie (1872-1958)
Matisse, Henri (1869-1954) La Raie verte, Madame Matisse (The Green Stripe, Madame Matisse) 1905 Oil and tempera on canvas, 40.5 x 32.5 cm Statens Museum for Kunst, Copenhagen © Succession H. Matisse, Paris This depiction of the artist’s wife, Amélie, is…
Matisse, Henri (1869-1954) Autoportrait (Self-Portrait) 1906 Oil on canvas, 55 x 46 cm Statens Museum for Kunst, Copenhagen © Succession H. Matisse/BilledKunst Copydan 2012
Renoir, Pierre-Auguste (1841-1919) Portrait de l’artiste (Self-Portrait) 1879 Oil on canvas, 18.8 x 14.2 cm Musée d’Orsay, Paris
Renoir, Pierre-Auguste (1841-1919) Autoportrait (Self-Portrait) 1876 Oil on canvas, 73.3 x 57.3 cm Fogg Museum, Cambridge, MA In the first flush of major success as an artist, Renoir depicts himself in front of an easel. By 1876, he had participated in the…