Renoir, Pierre-Auguste (1841-1919) Madame Monet et son fils Jean (Madame Monet and Her Son Jean) 1874 Oil on canvas, 50.4 x 68 cm National Gallery of Art, Washington In July and August 1874 Manet vacationed at his family’s house in…
Rembrandt (1606-1669) Portrait of a Woman, Possibly Maria Trip 1639 Oil on panel, 107 x 82 cm Rijksmuseum, Amsterdam The sitter is likely the 20-year-old Maria Trip. She hailed from an extremely wealthy family involved in the arms trade. Here,…
Rembrandt (1606-1669) Portrait of a Lady with an Ostrich-Feather Fan c.1656–1658 Oil on canvas transferred to canvas, 99.5 x 83 cm National Gallery of Art, Washington There is little doubt that these two portraits by Rembrandt van Rijn (see also NGA…
Rembrandt (1606-1669) Portrait of a Woman, probably a Member of the Van Beresteyn Family 1632 Oil on canvas, 111.8 x 88.9 cm Metropolitan Museum of Art, New York This portrait is a pendant to the Portrait of a Man (29.100.3). If…
Rembrandt (1606-1669) Portrait of a Young Woman with a Fan 1633 Oil on canvas, 125.7 x 101 cm Metropolitan Museum of Art, New York This animated portrait has a pendant showing the sitter’s husband rising from a chair (Taft Museum, Cincinnati).…
Cassatt, Mary (1844-1926) The Loge c.1878–1880 Oil on canvas, 79.8 x 63.8 cm National Gallery of Art, Washington Shown from the knees up, two young women with pale, peachy skin wearing white gowns sit close together and almost fill this…
Renoir, Pierre-Auguste (1841-1919) Madame Pierre Henri Renoir 1870 Oil on canvas, 81.3 x 64.8 cm Fogg Museum, Cambridge, MA This is one of two pendant portraits that Renoir painted of his elder brother, Pierre Henri, and his wife, Blanche-Marie Blanc…
Tiziano (c.1488-1576) & Workshop Venere e il suonatore di liuto (Venus and the Lute Player) c.1565–1570 Oil on canvas, 165.1 x 209.6 cm Metropolitan Museum of Art, New York Venus, the goddess of love, interrupts her music making to be crowned…
Manet, Édouard (1832-1883) Le balcon (The Balcony) 1868–1869 Oil on canvas, 170 x 125 cm Musée d’Orsay, Paris When Manet painted this piece, scenes of bourgeois life were in vogue. Yet The Balcony went against the conventions of the day. All…