Sisley, Alfred (1839-1899) Effet de neige à Louveciennes (Snow effect at Louveciennes) c.1877 Oil on canvas, 50 x 61.5 cm Museo Nacional de Bellas Artes, Buenos Aires See also: • Louveciennes (France)
Pissarro, Camille (1830-1903) Prairies du Valhermeil près Pontoise (Meadows of Valhermeil near Pontoise) 1874 Oil on canvas, 55 x 92 cm Museo Nacional de Bellas Artes, Buenos Aires See also: • Pontoise (France) | Valhermeil (Auvers-sur-Oise)
Pissarro, Camille (1830-1903) Chemin à l’Hermitage (Road to L’Hermitage) 1874 Oil on canvas, 54 x 65.5 cm Museo Nacional de Bellas Artes, Buenos Aires Chemin à l’Hermitage is part of a group of works that Camille Pissarro painted in 1873–1874,…
Pueyrredón, Prilidiano (1823-1870) Ciego popular en Cádiz (Popular blind man in Cadiz) s.d. Watercolor on paper, 26.5 x 17.5 cm Museo Nacional de Bellas Artes, Buenos Aires Costumbrista scene whose main interest lies in the fact that it is a…
Pueyrredón, Prilidiano (1823-1870) Paisaje, Granja europea (Lanscape, European Farm) s.d. Watercolour on paper, 17.5 x 25 cm Museo Nacional de Bellas Artes, Buenos Aires Watercolour from the European period, from Rezábal Bustillo, with a picturesque motif. The scene of the…
Pueyrredón, Prilidiano (1823-1870) Patio porteño en 1850 (Courtyard in Buenos Aires in 1850) c.1860 Oil on copper, 30.2 x 43 cm Museo Nacional de Bellas Artes, Buenos Aires This small painting has been overrated in its quality, for example the…
Pueyrredón, Prilidiano (1823-1870) Paisaje de la costa con veleros (Coast landscape with sailboats) s.d. Watercolor on paper, 14 x 29 cm Museo Nacional de Bellas Artes, Buenos Aires
Pueyrredón, Prilidiano (1823-1870) El rodeo (The rodeo) 1861 Oil on canvas, 76 x 166 cm Museo Nacional de Bellas Artes, Buenos Aires In a note probably written by Miguel Cané Sr., La Tribuna commented on the painting A Stop in…
Pueyrredón, Prilidiano (1823-1870) Un alto en el campo (A stop on the field) 1861 Oil on canvas, 75.5 x 166.5 cm Museo Nacional de Bellas Artes, Buenos Aires The newspaper La Tribuna published commentaries most likely by Miguel Cané (Senior)…