Tag: figure

Aux courses (c.1875)

Manet, Édouard (1832-1883) Aux courses (At the Races) c.1875 Oil on wood, 12.6 x 21.9 cm National Gallery of Art, Washington We find ourselves on an emerald-green, grassy racetrack as a dusty cluster of horses and their jockeys bear directly…

Bal masqué à l’Opéra (1873)

Manet, Édouard (1832-1883) Bal masqué à l’Opéra (Masked Ball at the Opera) 1873 Oil on canvas, 59.1 x 72.5 cm National Gallery of Art, Washington Manet came from a well–to–do family, and this painting provides a glimpse of the sophisticated…

Le Vieux Musicien (1862)

Manet, Édouard (1832-1883) Le Vieux Musicien (The Old Musician) 1862 Oil on canvas, 187.4 x 248.2 cm National Gallery of Art, Washington In a review of the 1846 Salon, poet and critic Charles Baudelaire urged artists to depict “the heroism…

La Sieste (c.1892-1894)

Gauguin, Paul (1848-1903) La Sieste (The Siesta) c.1892–1894 Oil on canvas, 88.9 x 116.2 cm Metropolitan Museum of Art, New York The unaffected grace and communal ease of Tahitian women impressed Gauguin enormously. The artist worked on this painting over…

Veduta di Pirna dalla fortezza di Sonnenstein (1750s)

Bellotto, Bernardo (1721–1780) Veduta di Pirna dalla fortezza di Sonnenstein (View of Pirna from the Sonnenstein Castle) 1750s Oil on canvas, 136 × 237 cm Hermitage Museum, Saint Petersburg Compare: Bellotto, Bernardo (1721-1780) Veduta di Pirna in Sassonia 1763 Wadsworth Atheneum, Hartford…

Pirna, Obertor dal Sud (mid-1750s)

Bellotto, Bernardo (1721–1780) Pirna, Obertor dal Sud (Pirna: The Obertor from the South) mid-1750s Oil on canvas, 46.4 x 78.1 cm Metropolitan Museum of Art, New York Bellotto was Canaletto’s nephew and student who himself was to become an internationally…

La fortezza di Königstein (1756-1758)

Bellotto, Bernardo (1721–1780) La fortezza di Königstein (The Fortress of Königstein) 1756–1758 Oil on canvas, 133 x 235.7 cm National Gallery of Art, Washington In the distance, a fortress sits on a rocky plateau below a sky filled with lightly…