Renoir, Pierre-Auguste (1841-1919) Au café (In the Café) c.1877 Oil on canvas, 35.7 x 27.5 cm Kröller-Müller Museum, Otterlo Everyday life Together with Claude Monet, Auguste Renoir is one of the central figures of impressionism. But while Monet prefers to paint…
Homer, Winslow (1836-1910) Summer Night 1890 Oil on canvas, 76.5 x 102 cm Musée d’Orsay, Paris Winslow Homer began as a cartoonist reporter during the Civil War, before painting scenes describing the daily life of the army and the rural world…
Gachet, Paul (1828-1909) Une moderne Olympia, copie d’après Cézanne (A modern Olympia, copy after Cézanne) s.d. Oil on canvas, 45.5 x 55 cm Musée d’Orsay, Paris Compare: Cézanne, Paul (1839-1906) Une moderne Olympia 1873–1874 Musée d’Orsay, Paris Manet, Édouard (1832-1883) Olympia 1863 Musée…
Sisley, Alfred (1839-1899) Le Pont de Sèvres (Sèvres Bridge) 1877 Oil on canvas, 38.1 x 46.4 cm Barnes Foundation, Philadelphia One of two paintings by the impressionist artist Alfred Sisley in the Barnes collection, this image depicts the bridge that spans…
Signac, Paul (1863-1935) Antibes 1918 Watercolor and charcoal on laid paper, 30.2 x 42.9 cm Barnes Foundation, Philadelphia See also: • Antibes (France)
Pissarro, Camille (1830-1903) Le Jardin au grand soleil, Pontoise (Garden in Full Sunlight, Pontoise) 1876 Oil on canvas, 46.5 x 54.4 cm Barnes Foundation, Philadelphia With its picturesque vista and assemblage of light and textures, this composition demonstrates Pissarro‘s move toward…
Canaletto (1697-1768) Canal Grande: San Geremia e l’ingresso a Cannaregio (Grand Canal: San Geremia and the Entrance to the Cannaregio) Mid-18th century Oil on canvas, 46.7 x 72.7 cm Barnes Foundation, Philadelphia Canaletto was known for his city views of Venice,…
Guercino (1591-1666) Cattura di Cristo (The Betrayal of Christ) 1621 or earlier Oil on canvas, 115.3 x 142.2 cm Fitzwilliam Museum, Cambridge Companion: Guercino (1591-1666) Incredulità di san Tommaso 1621 National Gallery, London
Delacroix, Eugène (1798-1863) Saint Michel défait le diable (Saint Michael Defeats the Devil) probably 1850 Oil on paper mounted to canvas, 48.3 x 59.7 cm Barnes Foundation, Philadelphia Delacroix made this small sketch for a much larger commission: the ceiling of…
Degas, Edgar (1834-1917) Baigneuses (Bathers) 1895–1900 Pastel with charcoal underdrawing on paper, 59.1 × 73.7 cm Barnes Foundation, Philadelphia One of the things that made Degas such a radical artist was his approach to representing the human form. Here, rather than…