Tag: figure

Femmes au bord de la mer (1889)

Laval, Charles (1861-1894) Femmes au bord de la mer (Women on the Seashore) 1889 Watercolor on paper, 22.2 x 30.7 cm Van Gogh Museum, Amsterdam See also: • Martinique (France)

Bretons se promenant (c.1889-1890)

Laval, Charles (1861-1894) Bretons se promenant (Bretons Walking) c.1889–1890 Gouache and watercolor on thin cardboard, 38.7 x 59 cm Private collection See also: • Bretagne (France)

Paysage de Bretagne, Le moulin David (1894)

Gauguin, Paul (1848-1903) Paysage de Bretagne, Le moulin David (Landscape in Brittany, The David Mill) 1894 Oil on canvas, 73 x 92.2 cm Musée d’Orsay, Paris Just like Cézanne and Van Gogh, Gauguin was convinced that painting should not be limited…

Allant au marché (1888)

Laval, Charles (1861-1894) Allant au marché (Going to Market, Brittany) 1888 Oil on canvas, 37.5 x 46 cm Indianapolis Museum of Art, Indianapolis The Pont-Aven artists often painted aspects of daily life in Brittany. In this animated scene, a couple rides…

Les Meules jaunes (1889)

Gauguin, Paul (1848-1903) Les Meules jaunes, dit aussi La Moisson blonde (The Yellow Stacks, also known as The Blonde Harvest) 1889 Oil on canvas, 73 x 92.5 cm Musée d’Orsay, Paris Compare: Laval, Charles (1861-1894) Moisson en Bretagne c.1889 Private collection    …

Moisson en Bretagne (c.1889)

Laval, Charles (1861-1894) Moisson en Bretagne (Harvest in Brittany) c.1889 Oil on canvas, 40.5 x 63.5 cm Private collection Compare: Gauguin, Paul (1848-1903) Les Meules jaunes 1889 Musée d’Orsay, Paris     See also: • Bretagne (France)

King Arthur’s Death (c.1859-1862)

Siddal, Elizabeth (1829-1862) King Arthur’s Death c.1859–1862 Graphite, 17.5 x 27.3 cm Princeton University Art Museum, Princeton Siddall was an artist, poet, model, and wife of the Pre-Raphaelite painter Dante Gabriel Rossetti. Although this drawing only outlines the event of King…

Apparition (1905-1910)

Redon, Odilon (1840-1916) Apparition 1905–1910 Oil on canvas, 65 x 50 cm Princeton University Art Museum, Princeton During the 1890s, Redon shifted his attention from charcoal drawing and lithography to a practice that embraced color, working in pastels and oil paints.…

Due studi per la figura della Vittoria (1531-1535)

Parmigianino (1503-1540) Due studi per la figura della Vittoria (Two Studies for Figure of Victory) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 6.8 × 10.8 cm Princeton University Art Museum, Princeton These three fragments represent Parmigianino’s…