Turner, Joseph Mallord William (1775-1851) The Falls at Tivoli 1803? Watercolor on cardboard, 37.8 x 53.7 cm Philadelphia Museum of Art, Philadelphia See also: • Tivoli (Italia)
Signac, Paul (1863-1935) Lavandières au bord de la Seine aux Andelys (Washerwomen by the Seine at Les Andelys) c.1897 Color lithograph, 30.2 x 45.7 cm Philadelphia Museum of Art, Philadelphia See also: • Les Andelys (France)
Manet, Édouard (1832-1883) Le Départ du vapeur de Folkestone (The Folkestone Boat, Boulogne) c.1868–1872 Oil on canvas, 60 x 73.5 cm Philadelphia Museum of Art, Philadelphia See also: • Boulogne-sur-Mer (France) | Folkestone (England)
Manet, Édouard (1832-1883) Le Kearsarge à Boulogne (The Kearsarge at Boulogne) 1864 Oil on canvas, 81.6 x 100 cm Metropolitan Museum of Art, New York During the American Civil War, the United States warship Kearsarge made headlines after sinking the Confederate…
Zurbarán, Francisco de (1598-1664) San Buenaventura en el Concilio de Lyon (Saint Bonaventure at the Council of Lyon) c.1629 Oil on canvas, 250 x 225 cm Musée du Louvre, Paris Church of Saint Bonaventure College, Seville, circa 1629; deposited, by order of…
Zurbarán, Francisco de (1598-1664) Exposición del cuerpo de San Buenaventura (Exhibition of the Body of Saint Bonaventure) c.1629 Oil on canvas, 245 x 220 cm Musée du Louvre, Paris Painted for the church of the San Buenaventura college in Seville, around 1629;…
Murillo, Bartolomé Esteban (1617-1682) La Inmaculada Concepción (The Immaculate Conception) 1662–1665 Oil on canvas, 172 x 298 cm Musée du Louvre, Paris Inscription: On the phylactery held by two angels: “IN PRINCIPIO DILEXIT EAM”. Part of a series of four large…
Monet, Claude (1840-1926) Glaçons à Bougival (Ice floes at Bougival) 3rd quarter of the 19th Century Oil on canvas, 65 x 81 cm Musée du Louvre, Paris See also: • Bougival (France)
Flinck, Govert (1615-1660) Landscape with bridge and ruins 1637 Oil on wood, 49.5 × 75 cm Musée du Louvre, Paris One of the rare landscapes signed by Flinck, and of completely Rembranesque inspiration, undoubtedly through the master’s drawings, but of fundamental…