Renoir, Pierre-Auguste (1841-1919) Portrait d’Alfred Sisley (Portrait of Alfred Sisley) 1864 Oil on canvas, 81 x 65 cm Bührle Collection, Zürich See also: • Sisley, Alfred (1839-1899)
Canova, Antonio (1757-1822) Naiade (Naiad) model 1815–1817, carved 1820–1823 Marble, 80 x 190 cm National Gallery of Art, Washington Compare: Canova, Antonio (1757-1822) Naiade 1819–1824 Metropolitan Museum of Art, New York
Canova, Antonio (1757-1822) Paride (Paris) 1816 Marble, 203.7 x 103.7 x 55 cm Neue Pinakothek, Munich Paris, the son of the Trojan king Priam, had been abandoned as a child and found and raised by shepherds. The apple in his right hand…
Canova, Antonio (1757-1822) Terpsichore Lyran (Muse of Lyric Poetry) 1816 Marble, 177.5 x 78.1 x 61 cm Cleveland Museum of Art, Cleveland Trained by his grandfather, an Italian stonemason, Canova began modeling clay and carving marble sculptures before age ten. In…
Canova, Antonio (1757-1822) Dedalo e Icaro (Daedalus and Icarus) 1777–1779 Marble, 182 x 95 cm Museo Correr, Venezia This famous sculpture, his first large one in marble, is the masterpiece of Antonio Canova‘s Venetian youth. It was created for the procurator…
Canova, Antonio (1757-1822) Teseo sul Minotauro (Theseus and the Minotaur) 1782 Marble, 145.4 x 158.7 x 91.4 cm Victoria and Albert Museum, London The legendary Greek hero Theseus sits astride the minotaur whom he has just killed. Coils of thread used…
Canova, Antonio (1757-1822) Paolina Borghese Bonaparte come Venere Vincitrice (Paolina Borghese Bonaparte as Venus Victrix) 1804–1808 Carrara marble, 160 x 92 cm Galleria Borghese, Roma Portrayed by Antonio Canova in the guise Venus victorious in the Judgement of Paris, Pauline Borghese…
Canova, Antonio (1757-1822) Le tre Grazie (Three Graces) 1813–1816 Marble, h. 182 cm Hermitage Museum, Saint Petersburg A late work by Canova, The Three Graces was produced at a time when the artist was so famous that the public eagerly awaited…
Chagall, Marc (1887-1985) Autoportrait aux sept doigts (Self-Portrait with Seven Fingers) 1912–1913 Oil on canvas, 135.5 x 117 x 6 cm Stedelijk Museum, Amsterdam Marc Chagall‘s Self-Portrait with Seven Fingers is not a naturalistic image, yet it describes a great deal…